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Georgi Pulevski or Gjorgji Pulevski (1817–1895) was a writer and revolutionary from Galičnik, then under the rule of the Ottoman Empire, today in the Republic of North Macedonia, known today as the first author to express publicly the idea of a Slavic Macedonian nation distinct from Bulgarian, as well as a separate Slavic Macedonian language.
Trained as a stonemason, he became a self-taught writer in matters relating to Macedonian language and culture. In Bulgaria he is regarded as a Bulgarian and early adherent to Macedonism.
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Saint Clement of Ohrid (ca. 840 – 916) & Saint Naum (c. 830 – December 23, 910)
They were among the disciples of Saints Cyril and Methodius and is associated with the creation of the Glagolitic and Cyrillic script.
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Saints Cyril and Methodius (826–869, 815–885) were two brothers who were Byzantine Christian theologians and Christian missionaries. Through their work they influenced the cultural development of all Slavs, for which they received the title "Apostles to the Slavs". They are credited with devising the Glagolitic alphabet, the first alphabet used to transcribe Old Church Slavonic.
After their deaths, their pupils continued their missionary work among other Slavs. Both brothers are venerated in the Orthodox Church as saints with the title of "equal-to-apostles". In 1880, Pope Leo XIII introduced their feast into the calendar of the Roman Catholic Church. In 1980, Pope John Paul II declared them co-patron saints of Europe, together with Benedict of Nursia.
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The Stone Bridge is a bridge across the Vardar River in Skopje.
The bridge is considered a symbol of Skopje and is the main element of the coat of arms of the city, which in turn is incorporated in the city's flag. The Stone Bridge connects Macedonia Square, in the center of Skopje, to the Old Bazaar.
The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide.
The current Stone Bridge was built on Roman foundations under the patronage of Sultan Mehmed II the Conqueror between 1451 and 1469. Throughout the centuries, the Stone Bridge was often damaged and then repaired. There is historical evidence that it once suffered during the great earthquake of 1555 which heavily damaged or destroyed four pillars. Renovations were carried out the same year. In 1944, explosives were placed on the bridge by Nazis. Upon a request from city notables, the Germans give up at the last minute and the bridge was saved from destruction. The last reconstruction of the bridge began in 1994. The watchtower shaped like a mihrab was reconstructed in 2008.
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Dame Gruev (January 19, 1871 – December 23, 1906) was а teacher, revolutionary and insurgent leader in Ottoman regions of Macedonia and Thrace.
He was among the founders of the Internal Macedonian Revolutionary Organization.
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Gemidians - a secret Macedonian anarchist circle composed of several young Macedonians, anarchists who formed the circle under the influence of the Macedonian Secret Revolutionary Committee.
Their action in Thessaloniki in April 1903 is known as the Thessaloniki assassinations, which is why the Gemidders are also known as Thessaloniki Assassins.
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Georgi Pulevski or Gjorgji Pulevski (1817–1895) was a writer and revolutionary from Galičnik, then under the rule of the Ottoman Empire, today in the Republic of North Macedonia, known today as the first author to express publicly the idea of a Slavic Macedonian nation distinct from Bulgarian, as well as a separate Slavic Macedonian language.
Trained as a stonemason, he became a self-taught writer in matters relating to Macedonian language and culture.
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Goce Delčev, (4 February 1872 – 4 May 1903) was an important revolutionary figure (komitadji) in Ottoman-ruled Macedonia and Thrace at the turn of the 20th century. He was the most prominent leader of what is known today as Internal Macedonian Revolutionary Organization (IMRO), a paramilitary organization active in Ottoman territories in the Balkans, at the end of the 19th and the beginning of the 20th century.
Today Gotse Delchev is considered as a national hero in North Macedonia, as well as in Bulgaria, where it is claimed that he was among the founders of the Macedonian national movement.
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Saint Clement of Ohrid (ca. 840 – 916) & Saint Naum (c. 830 – December 23, 910)
They were among the disciples of Saints Cyril and Methodius and is associated with the creation of the Glagolitic and Cyrillic script.
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Saints Cyril and Methodius (826–869, 815–885) were two brothers who were Byzantine Christian theologians and Christian missionaries. Through their work they influenced the cultural development of all Slavs, for which they received the title "Apostles to the Slavs". They are credited with devising the Glagolitic alphabet, the first alphabet used to transcribe Old Church Slavonic.
After their deaths, their pupils continued their missionary work among other Slavs. Both brothers are venerated in the Orthodox Church as saints with the title of "equal-to-apostles". In 1880, Pope Leo XIII introduced their feast into the calendar of the Roman Catholic Church. In 1980, Pope John Paul II declared them co-patron saints of Europe, together with Benedict of Nursia.
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The sculpture is made of white marble with a height of 5 meters. It is placed on a pedestal made of white marble with a height of 3.50 meters. On the platform there are bronze reliefs with an area of 10.50 square meters.
The author of the work is Roza Pavleski, and the art gallery is Pietro Bazzanti & Figlio, the art gallery and Ferdinando Marinelli from Florence, Italy. The timing of the ordered sculpture was 75,640,000 denars, or just over a million euros.
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Stately museum showcasing scenes & artifacts from the Macedonian revolution for independence.
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Metodi Shatorov - Sharlo (1897-1944) was a Bulgarian communist leader during the first half of 20th century and also temporary leader of the Vardar Macedonian communists in 1940-1941. As most left-wing politicians from Macedonia, during the 1930s he adopted the Balkan Communist Federation's concept for an autonomous Macedonia. However, Macedonian communist functionaries, originating from the Bulgarian Communist Party (BCP) and Internal Macedonian Revolutionary Organization (United) (IMRO (United)) never lost their strong pro-Bulgarian sentiments.
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Nexhat Agolli (1914–1949) was a Yugoslav jurist and politician. He had served as deputy president of the Anti-Fascist Assembly for the People's Liberation of Macedonia (ASNOM) in 1944 and after World War II as Minister of Social Works of Macedonia. An opponent of Josip Broz Tito's Informbiro policies he was imprisoned in April 1949 and later died.
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Stately museum showcasing scenes & artifacts from the Macedonian revolution for independence.
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Holocaust museum dedicated to Jewish Macedonian people in a contemporary building, open since 2011.
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Monument to the Liberators of Skopje in World War II - a monument dedicated to the liberators of Skopje, located in front of the Government of Macedonia building.
The monument was built in 1955. The author of the monument is sculptor Ivan Mirkovic.
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The Millennium Cross is a 66-metre (217 ft) tall cross situated on the top of the Vodno Mountain in Skopje, Republic of Macedonia. It was constructed to serve as a memorial of 2,000 years of Christianity in Macedonia and the world.
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Marko's towers (or the town of Chrnche) - an archeological site of the type of fortified settlement. It is climbed on the eastern end of the mountain Vodno in the locality "Markovo Kruvce", on a protruding and steep limestone ridge 350 m. high above the field and Vardar at the foot. Above is a view of the field many kilometers to the north, northeast and east. It is connected with the road that turns around the mountain according to isohypsa, and on that road the Slavic medieval villages Sopishte, Vodno, Nerezi, Krushopek, Gradacec grew up.
An unusually strong castle measuring 360 x 90 m was built on the flattened peak in the 6th century. Its walls were up to 2.5 m wide and fortified with 40 towers. The side towers had the shape of pentagons up to 11 m in size; the acropolis was defended with 9 triangular towers. The front triangular tower rested on a massive bastion, large 16 x 13 m. With the excavations from 1976 to 1980. the stratigraphy of the strata and their chronology was confirmed, confirmed by coins from Justinian I to Heraclius.
Parts of the wall and 7 towers were excavated; water tanks and parts of the water supply network are probed, as well as parts of other buildings. This large and unusually strong fortress with unusually large water cisterns and an unusually large number of towers served as the main protection and escape of the inhabitants of the early Byzantine city that stood in the center of present-day Skopje; the city that can undoubtedly be identified with Justiniana Prima ...
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Here lie the remains of Gjorgji Nikolov Delchev, better known as Goce Delchev (Kukush, 4 February 1872 - Banica, 4 May 1903) - Macedonian national hero, participant in the Macedonian revolutionary movement, activist of the Macedonian Revolutionary Organization, apostle and heartthrob ideologist, organizer and leader of the Macedonian revolutionary national liberation movement at the end of the XIX and the beginning of the XX century.
After his death in a battle with the Ottoman army in the village. Banica, 1903, his relics were first transferred to Sofia, and in 1946 to be transferred to Skopje, in the church of St. Spas.
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Birth and initial life paths


Understanding the world “...solely as a field for cultural competition among the peoples”, confirms the apostle of the Macedonian revolutionary movement from the end of the 19th and the beginning of the 20th century, Gotse Delchev, as a visionary of the contemporary, peaceful competitions among peoples. Behind Gotse Delchev`s personality there is a clearly recognizable representative of the small, freedom-loving Macedonian people.


Gotse Delchev was born in a patriotic family, father’s name Nikola and mother’s name Sultana Delchev, on 4th February 1872 in Kukush, 35 km north of Thessaloniki.


The intellectual development of Gotse Delchev went through several stages –he acquired basic knowledge in Kukush, he then expanded this knowledge in the Thessaloniki gymnasium where he also managed to penetrate into the sphere of science, literature and social movements. Further on, in the military school in Sofia his interest was already focused on several issues from a number of scientific disciplines.


In that period he was well acquainted with the most important developments in Macedonia. The development of his revolutionary profile was significantly influenced by his activity in the Thessaloniki and Sofia societies, as well as his close encounters, most importantly, with the followers of the Loza (Vine) magazine and the socialists in Sofia.



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A uniform of the insurgents in the Ilinden period, which was also worn by Goce Delchev during the battles with the Ottoman army.


On the right is the uniform - the uniform of the Macedonian Guard, inspired by the fighters from the Ilinden period.
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The desire to pay respect to Skopje’s most famous person and the only Nobel Peace Prize winner from Macedonia culminated in the realization of a long-standing vision – building a Memorial House for Mother Teresa. Accordingly, the foundation stone of the Memorial House was laid on May 9, 2008. The building, dedicated to the most humane woman in the world, was completed in just nine months. For visitors, the Memorial House was open on January 30, 2009.


The location of the museum is not randomly chosen. That is to say, on this exact place the old Catholic Church “Sacred Heart of Jesus” used to stand. It is where Mother Teresa, then Gonxha Bojaxhiu was baptized just one day after her birth.


Since the opening of the Memorial House in 2009 until today, the number of visitors ranges from 80000 to 100000 per year, including a number of presidents, ministers, ambassadors, church dignitaries, the niece of Mother Teresa – Age, Cardinal Pietro Parolin (Vatican secretary of state) and others.


In 2019, Pope Francis, during his visit to Macedonia, bowed in front of the monument of Mother Teresa and held a mass in the chapel of the memorial house.
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The Church of the Ascension of Jesus is one of the most important cultural monuments in Skopje, east of the fortress Kale. The church is a cultural monument protected by law, and it offers worship and religious rites only for its patron saint, the Day of Salvation.


The courtyard is entered through a heavy and chained oak gate and it is dominated by a simple stone sarcophagus which houses the remains of the Macedonian revolutionary and freedom fighter Goce Delchev (1872-1903).


The church is three-nave, the middle nave is vaulted, the sides are flat and covered with planks in cubes, while in the western part there is a gallery for women. On the south wall, higher than the current level of the floor, during the repair of the church in 1963-64, a fresco from the XVI-XVII century was discovered. And this wall speaks of a part of the history of this church built in the XVI century.


During the 19th century, the church received its final appearance. In 1824 the iconostasis was completed, and in 1867 part of the throne icons was made. The craftsmen's guilds and merchants from Skopje contributed to the construction of the iconostasis and the icons.
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The coffin in which the bones of Goce Delchev were transferred from Sofia to Skopje in 1946 made by Nestor Aleksievski-Mircevski (1873 - 1969).
He comes from the Mirchevci family, one of the most famous Mijak carving tribes, together with Renzovci, Filipovci, Frchkovci. By the way, Nestor is a descendant of Alexo Mirchev, a woodcarver from the village of Osoj in Debar. He has confirmed his exceptional talent many times working in Macedonia, but also abroad, with woodcarving achievements that have exceptional artistic value. He made some of his works in marble, but mainly in walnut wood, where his masterful and refined work was especially evident.


The return of Delchev's bones to the Macedonian capital was agreed upon by the then Bulgarian and Yugoslav political leaders, Tito and Georgi Dimitrov. Macedonian delegation took over the relics from Sofia.
The transfer of the relics lasted for three days, on October 7, 8 and 9, 1946, and that act was followed by a huge mass of people who paid tribute to the great man and his departure from Sofia and arrival in Skopje. Laying the bones in the sarcophagus in the yard of the church "St. "Spas" was performed on October 10.
The coffin with which the relics of Delchev were transported measures 0.6 x 0.6 x 0.75 meters, and lies on four lion paws. Various motifs are carved, the main of which is the character of Goce Delchev with a laurel wreath. The coats of arms of Macedonia and Yugoslavia at that time are also presented. On the back is the message: "Death or Freedom - from the Revolutionary Committee." A tin base or box, purchased from a tinsmith in the Old Skopje Bazaar, was installed in the sarcophagus. According to testimonies, the bones in the coffin were wrapped in red silk as a symbol of the Ilinden Uprising. But we should also mention the fact that before that there was an older wooden box for the bones, which was kept in the Macedonian home in Sofia. On that box, a dagger and a revolver were carved with the will: "Future generations swear that the holy relics will be buried in the capital of independent Macedonia."
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Birth and initial life paths


Understanding the world “...solely as a field for cultural competition among the peoples”, confirms the apostle of the Macedonian revolutionary movement from the end of the 19th and the beginning of the 20th century, Gotse Delchev, as a visionary of the contemporary, peaceful competitions among peoples. Behind Gotse Delchev`s personality there is a clearly recognizable representative of the small, freedom-loving Macedonian people.


Gotse Delchev was born in a patriotic family, father’s name Nikola and mother’s name Sultana Delchev, on 4th February 1872 in Kukush, 35 km north of Thessaloniki.


The intellectual development of Gotse Delchev went through several stages –he acquired basic knowledge in Kukush, he then expanded this knowledge in the Thessaloniki gymnasium where he also managed to penetrate into the sphere of science, literature and social movements. Further on, in the military school in Sofia his interest was already focused on several issues from a number of scientific disciplines.


In that period he was well acquainted with the most important developments in Macedonia. The development of his revolutionary profile was significantly influenced by his activity in the Thessaloniki and Sofia societies, as well as his close encounters, most importantly, with the followers of the Loza (Vine) magazine and the socialists in Sofia.



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Birth and initial life paths


Understanding the world “...solely as a field for cultural competition among the peoples”, confirms the apostle of the Macedonian revolutionary movement from the end of the 19th and the beginning of the 20th century, Gotse Delchev, as a visionary of the contemporary, peaceful competitions among peoples. Behind Gotse Delchev`s personality there is a clearly recognizable representative of the small, freedom-loving Macedonian people.


Gotse Delchev was born in a patriotic family, father’s name Nikola and mother’s name Sultana Delchev, on 4th February 1872 in Kukush, 35 km north of Thessaloniki.


The intellectual development of Gotse Delchev went through several stages –he acquired basic knowledge in Kukush, he then expanded this knowledge in the Thessaloniki gymnasium where he also managed to penetrate into the sphere of science, literature and social movements. Further on, in the military school in Sofia his interest was already focused on several issues from a number of scientific disciplines.


In that period he was well acquainted with the most important developments in Macedonia. The development of his revolutionary profile was significantly influenced by his activity in the Thessaloniki and Sofia societies, as well as his close encounters, most importantly, with the followers of the Loza (Vine) magazine and the socialists in Sofia.



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Fulfillment of the pledge – transfer of the relics in 1946


On 10th October 1946 though discussions with the Union of the Macedonian Ilinden Organizations in Bulgaria, the Government of the People’s Republic of Macedonia (NRM) managed to transfer in NRM the relics of Gotse Delchev, the faithful representative of the stunning heroism of the proud Macedonian nation.


One day later they were solemnly laid in the marble sarcophagus located in the courtyard of the church of the Ascension of Jesus/ Holy Salvation (Sv. Spas) in Skopje. In those days of 1946, Macedonia`s most worthy son, born in Kukush, killed in Banitsa - near Serres, long guarded by his fellow immigrant brothers in army, he himself a posthumous immigrant accompanied by the guard of honor, greeted in a most solemn manner throughout the cities and villages from Gorna Dzumaja (Blagoevgrad) to Skopje and followed by the entire nation via Radio Skopje, the dead Gotse was then coming back to his Motherland.
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Heroic and tragic death – 4.5.1903


On one of Gotse`s often journeys around Macedonia, going to the Lovchan Wood of Mount Ali Botush where he arranged the Congress of the Serres Revolutionary District, he stopped in the village of Banitsa, in the Serres area. Here, in Banitsa, on 4th May 1903, betrayed and surrounded from all sides, Gotse Delchev died heroically. His tragic death brought all plans of this Macedonian leading figure to a stop.
Gotse died young at the age of 31. The Macedonian historic scene was deprived of the most dominant person of the Macedonian revolutionary and national liberation movement. Gotse was active in MRO for seven years, regardless of it being short period or not, it is still the crucial historic period for his permanent and indelible imprint on the pages of the bright Macedonian national history.
The death of the apostle of the Macedonian national liberation struggle, Gotse Delchev, echoed strongly, and was reported by several telegrams in the reports of the Turkish authorities, in the diplomatic reports of the foreign consulates in Turkey, as well as in the European press.



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Heroic and tragic death – 4.5.1903


On one of Gotse`s often journeys around Macedonia, going to the Lovchan Wood of Mount Ali Botush where he arranged the Congress of the Serres Revolutionary District, he stopped in the village of Banitsa, in the Serres area. Here, in Banitsa, on 4th May 1903, betrayed and surrounded from all sides, Gotse Delchev died heroically. His tragic death brought all plans of this Macedonian leading figure to a stop.


Gotse died young at the age of 31. The Macedonian historic scene was deprived of the most dominant person of the Macedonian revolutionary and national liberation movement. Gotse was active in MRO for seven years, regardless of it being short period or not, it is still the crucial historic period for his permanent and indelible imprint on the pages of the bright Macedonian national history.


The death of the apostle of the Macedonian national liberation struggle, Gotse Delchev, echoed strongly, and was reported by several telegrams in the reports of the Turkish authorities, in the diplomatic reports of the foreign consulates in Turkey, as well as in the European press.



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Maintaining Gotse’s revolutionary traditions


The revolutionary traditions from the period of the Ilinden uprising were unanimously accepted and maintained during the National Liberation and Anti-fascist War of the Macedonia (NOAVM) from 1941 to 1944 and during the Anti-fascist Assembly for People`s Liberation of the Macedonia (ASNOM), and they were the basic postulate for the development of independent and sovereign Republic of Macedonia, during the period of gaining its independence in the 1990s`.


Therefore, Macedonian people`s three Ilindens are related from 1903, 1944 and 1991, when finally, even with only one part, the Macedonians fulfilled Gotse’s ideals for free and independent Macedonia.


TODAY, MACEDONIA IS LIVING GOTSE`S DREAM.


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Ten years of revolutionary activity (1893-4.5.1903)


The involvement of Gotse Delchev in the Macedonian Revolutionary Organization (MRO) represents a special event in the history of the Macedonian national liberation movement. The last, most productive revolutionary stage of his short life began in this period (1894-1903), and is divided into two periods: the first includes Delchev`s legal teaching in Shtip and Bansko (1894-1896) and the second, seven-year period (1896-1903) – the full commitment to revolutionary work and preparation of the Macedonian people for an armed uprising.


In that time, Delchev was able to clearly see the great danger hanging over Macedonia by the Balkan monarchical countries, which had open ambitions for its division placed by their propagandas. With all his being, he bitterly opposed the most aggressive Bulgarian propaganda and to its main tool – the vrhovism.


He developed as an educated military strategist, expert in military skills and tactics, but also an organizer and ideologist of the newly formed MRO.


Delchev was one of the main organizers of the armed struggle in Macedonia ever since the first years upon the formation of MRO in 1893, contacting one of the founders of MRO, Dame Gruev.


He also took the credit for: building the network of revolutionary regions, military preparations of the population, as well as for the construction of weapon workshops.


Delchev’s idea was that: “Macedonia`s liberation lies in an internal uprising, and those thinking otherwise are fooling themselves and the others".



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Ten years of revolutionary activity (1893-4/5/1903)


The involvement of Gotse Delchev in the Macedonian Revolutionary Organization (MRO) represents a special event in the history of the Macedonian national liberation movement. The last, most productive revolutionary stage of his short life began in this period (1894-1903), and is divided into two periods: the first includes Delchev`s legal teaching in Shtip and Bansko (1894-1896) and the second, seven-year period (1896-1903) – the full commitment to revolutionary work and preparation of the Macedonian people for an armed uprising.


In that time, Delchev was able to clearly see the great danger hanging over Macedonia by the Balkan monarchical countries, which had open ambitions for its division placed by their propagandas. With all his being, he bitterly opposed the most aggressive Bulgarian propaganda and to its main tool – the vrhovism.
He developed as an educated military strategist, expert in military skills and tactics, but also an organizer and ideologist of the newly formed MRO.


Delchev was one of the main organizers of the armed struggle in Macedonia ever since the first years upon the formation of MRO in 1893, contacting one of the founders of MRO, Dame Gruev.


He also took the credit for: building the network of revolutionary regions, military preparations of the population, as well as for the construction of weapon workshops.


Delchev’s idea was that: “Macedonia`s liberation lies in an internal uprising, and those thinking otherwise are fooling themselves and the others".






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The Ilinden uprising – 2/8/1903


Although Gotse was against premature and unprepared uprising, still, immediately upon his death, at the Smilevo Congress, it was decided that the day of the uprising should be 2nd August 1903, on the religious holiday St. Elijah – Ilinden.
The uprising took part in almost all the parts of Macedonia, and undoubtedly, the most crucial uprising actions were the liberation of Neveska, Klisura and Krushevo, where the Ilinden epopee created the Krushevo Republic – the first Republic in the Balkans, led by the President Nikola Karev.
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The exhibit area in the Memorial House of Mother Teresa was conceived so as to look like an urban house from the early 20th century.


The exhibit itself begins with photographs of old Skopje from the early 20th century, when Macedonia was still part of the Ottoman Empire. The aim is to recapture the spirit of this part of the Balkans as a crossroads between the oriental East and the Christian West. This mixture of cultures was woven into every thread of daily life and is best illustrated through the display of furniture and clothes, and the handiwork of silversmiths and goldsmiths.


The aim of the exhibit is to follow the life of Mother Teresa from her childhood spent in her native Skopje through the years spent as a Missionary of Charity, all the way until her death and beatification.


The most important items in this museum are the signature white sari with blue stripes (second class relic), the official habit of the Missionaries of Charity, copy of the Baptism certificate from the Catholic Church Sacred Heart of Jesus, authorized copies of documents with her handwriting and her awards.


Among the documents on display is the prayer book written by Mother Teresa, a copy of the Nobel Peace Prize received in 1979 and a copy of the letter sent to the Mayor of Skopje, Metodi Antov, on the occasion of her receiving the prize.


The exhibit boasts numerous photographs which vividly capture the humanitarian work of the sisters of Mother Teresa’s order.
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Dame Gruev (January 19, 1871 – December 23, 1906) was а teacher, revolutionary and insurgent leader in Ottoman regions of Macedonia and Thrace.


He was among the founders of the Internal Macedonian Revolutionary Organization (initially known as the Bulgarian Macedonian-Adrianopolitan Revolutionary Committee).


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Gemidians - a secret Macedonian anarchist circle composed of several young Macedonians, anarchists who formed the circle under the influence of the Macedonian Secret Revolutionary Committee.
Their action in Thessaloniki in April 1903 is known as the Thessaloniki assassinations, which is why the Gemidders are also known as Thessaloniki Assassins.
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Georgi Pulevski or Gjorgji Pulevski (1817–1895) was a writer and revolutionary from Galičnik, then under the rule of the Ottoman Empire, today in the Republic of North Macedonia, known today as the first author to express publicly the idea of a Slavic Macedonian nation distinct from Bulgarian, as well as a separate Slavic Macedonian language.
Trained as a stonemason, he became a self-taught writer in matters relating to Macedonian language and culture.
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Goce Delčev, (4 February 1872 – 4 May 1903) was an important revolutionary figure (komitadji) in Ottoman-ruled Macedonia and Thrace at the turn of the 20th century. He was the most prominent leader of what is known today as Internal Macedonian Revolutionary Organization (IMRO), a paramilitary organization active in Ottoman territories in the Balkans, at the end of the 19th and the beginning of the 20th century.
Today Gotse Delchev is considered as a national hero in North Macedonia, as well as in Bulgaria, where it is claimed that he was among the founders of the Macedonian national movement.
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Saints Cyril and Methodius (826–869, 815–885) were two brothers who were Byzantine Christian theologians and Christian missionaries. Through their work they influenced the cultural development of all Slavs, for which they received the title "Apostles to the Slavs". They are credited with devising the Glagolitic alphabet, the first alphabet used to transcribe Old Church Slavonic.
After their deaths, their pupils continued their missionary work among other Slavs. Both brothers are venerated in the Orthodox Church as saints with the title of "equal-to-apostles". In 1880, Pope Leo XIII introduced their feast into the calendar of the Roman Catholic Church. In 1980, Pope John Paul II declared them co-patron saints of Europe, together with Benedict of Nursia.
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The Stone Bridge is a bridge across the Vardar River in Skopje.
The bridge is considered a symbol of Skopje and is the main element of the coat of arms of the city, which in turn is incorporated in the city's flag. The Stone Bridge connects Macedonia Square, in the center of Skopje, to the Old Bazaar.


The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide.


The current Stone Bridge was built on Roman foundations under the patronage of Sultan Mehmed II the Conqueror between 1451 and 1469. Throughout the centuries, the Stone Bridge was often damaged and then repaired. There is historical evidence that it once suffered during the great earthquake of 1555 which heavily damaged or destroyed four pillars. Renovations were carried out the same year. In 1944, explosives were placed on the bridge by Nazis. Upon a request from city notables, the Germans give up at the last minute and the bridge was saved from destruction. The last reconstruction of the bridge began in 1994. The watchtower shaped like a mihrab was reconstructed in 2008.
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Saint Clement of Ohrid (ca. 840 – 916) & Saint Naum (c. 830 – December 23, 910)
They were among the disciples of Saints Cyril and Methodius and is associated with the creation of the Glagolitic and Cyrillic script.
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The sculpture is made of white marble with a height of 5 meters. It is placed on a pedestal made of white marble with a height of 3.50 meters. On the platform there are bronze reliefs with an area of 10.50 square meters.


The author of the work is Roza Pavleski, and the art gallery is Pietro Bazzanti & Figlio, the art gallery and Ferdinando Marinelli from Florence, Italy. The timing of the ordered sculpture was 75,640,000 denars, or just over a million euros.
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Metodi Shatorov - Sharlo (1897-1944) was a Bulgarian communist leader during the first half of 20th century and also temporary leader of the Vardar Macedonian communists in 1940-1941. As most left-wing politicians from Macedonia, during the 1930s he adopted the Balkan Communist Federation's concept for an autonomous Macedonia. However, Macedonian communist functionaries, originating from the Bulgarian Communist Party (BCP) and Internal Macedonian Revolutionary Organization (United) (IMRO (United)) never lost their strong pro-Bulgarian sentiments.
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Metodi Shatorov - Sharlo (1897-1944) was a Bulgarian communist leader during the first half of 20th century and also temporary leader of the Vardar Macedonian communists in 1940-1941. As most left-wing politicians from Macedonia, during the 1930s he adopted the Balkan Communist Federation's concept for an autonomous Macedonia. However, Macedonian communist functionaries, originating from the Bulgarian Communist Party (BCP) and Internal Macedonian Revolutionary Organization (United) (IMRO (United)) never lost their strong pro-Bulgarian sentiments.
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Metodija Andonov-Čento (17 August 1902 – 24 July 1957) was a Yugoslav statesman, the first president of the Anti-Fascist Assembly of the National Liberation of Macedonia and of the People's Republic of Macedonia in the Federal People's Republic of Yugoslavia after the Second World War.
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The monument is made of white marble, 5 meters tall, placed on a pedestal also of white marble with a height of 3.5 meters. There are bronze reliefs on the post.


The author of the monument is Dimitar Filipovski, and the monument was made in the Pietro Bazanti's art gallery Filho and the foundry by Fernando Marinelli from Florence, Italy, and cost 1.5 million euros.
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The monument is made of white marble, 5 meters tall, placed on a pedestal also of white marble with a height of 3.5 meters. There are bronze reliefs on the post.


The author of the monument is Dimitar Filipovski, and the monument was made in the Pietro Bazanti's art gallery Filho and the foundry by Fernando Marinelli from Florence, Italy, and cost 1.5 million euros.
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Georgi Pulevski or Gjorgji Pulevski (1817–1895) was a writer and revolutionary from Galičnik, then under the rule of the Ottoman Empire, today in the Republic of North Macedonia, known today as the first author to express publicly the idea of a Slavic Macedonian nation distinct from Bulgarian, as well as a separate Slavic Macedonian language.
Trained as a stonemason, he became a self-taught writer in matters relating to Macedonian language and culture.
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Dimitrija Čupovski (November 8, 1878 – October 29, 1940) was a Macedonian textbook writer and lexicographer.
He was one of the founders of the Macedonian Literary Society, established in Saint Petersburg in 1902, and served as its president from 1902 to 1917. Čupovski was also the author of a large number of articles and official documents, publisher of the printed bulletin of the Macedonian Colony, and organiser of several Macedonian associations. He wrote verse both in Russian and Macedonian. He also produced the first Macedonian-Russian dictionary, worked on a Macedonian grammar and an encyclopaedic monograph on Macedonia and the Macedonians. He also drew up an ethnic and geographical map of Macedonia.
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Monument "Pere Toshev" (1865 - 1912)
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The Millennium Cross is a 66-metre (217 ft) tall cross situated on the top of the Vodno Mountain in Skopje, Republic of Macedonia. It was constructed to serve as a memorial of 2,000 years of Christianity in Macedonia and the world.
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The sculpture is 14.5 meters high, made of bronze and placed on a concrete pedestal 10 meters high.
Under the monument there is a fountain. Around the fountain are placed eight bronze soldiers up to three meters high, as well as eight lions, two and a half feet high, four of which are facing the fountain. Water flows from their lips. The other four lions are placed on the stairs and are sitting in a safe place. On the horseman's pillar has three rings with mounted plates representing three battles. Among them there are three rings of bronze, with decoration and relief figures. A water curtain falls from the uppermost ring, and a fog rises upwards.
From the fountain plays music.
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Nexhat Agolli (1914–1949) was a Yugoslav jurist and politician. He had served as deputy president of the Anti-Fascist Assembly for the People's Liberation of Macedonia (ASNOM) in 1944 and after World War II as Minister of Social Works of Macedonia. An opponent of Josip Broz Tito's Informbiro policies he was imprisoned in April 1949 and later died.
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Stately museum showcasing scenes & artifacts from the Macedonian revolution for independence.
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Holocaust museum dedicated to Jewish Macedonian people in a contemporary building, open since 2011.
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Monument "Gorgi Sugarev (1876 - 1906)
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The monument is made of white marble, 5 meters high, placed on a pedestal also of white marble with a height of 3.5 meters. There are bronze reliefs on the bronze.


The author of the monument is Dimitar Filipovski, and the monument was made in the art gallery Pietro Bazanti Filo and the foundry of Fernando Marinelli from Florence, Italy and cost 1.5 million euros.
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360° VIRTUAL TOURS
ACROSS N. MACEDONIA
HTMLText_516D1200_7883_0ED0_41DD_F4B6D6CB5CC9.html =
360° VIRTUAL TOURS
ACROSS N. MACEDONIA
HTMLText_80771721_A21A_C81E_41D2_AF23175A2FA4_mobile.html =
Amphitheater


The basement part of the museum is designed as a multimedia center that hosts various projections, promotions, exhibitions, educational projects related to the life and humanitarian work of Mother Teresa.
HTMLText_803E0E5B_A26D_3822_41DE_381C4F217308_mobile.html =
CHAPEL


Above the gallery there is a small chapel where the priests from the Catholic Church hold services. At the honorary masses associated with important dates related to Mother Teresa her relic is presented.
HTMLText_BEF2904A_A23A_C822_41E2_8BEE10F5850A_mobile.html =
SOUVENIRS


Here you can find a rich offer of souvenirs: souvenirs with the image of Mother Teresa; souvenirs inspired by the cultural heritage of Macedonia; books about the life and work of Mother Teresa; coins for collectors, postcards and more.
HTMLText_80771721_A21A_C81E_41D2_AF23175A2FA4.html =
AMPHITHEATER


The basement part of the museum is designed as a multimedia center that hosts various projections, promotions, exhibitions, educational projects related to the life and humanitarian work of Mother Teresa.
HTMLText_803E0E5B_A26D_3822_41DE_381C4F217308.html =
CHAPEL


Above the gallery there is a small chapel where the priests from the Catholic Church hold services. At the honorary masses associated with important dates related to Mother Teresa her relic is presented.
HTMLText_BE1C9E27_A3D4_B0B4_41B2_8F6F0AEC0A73.html =
Goce Delchev Tomb


Gjorgji Nikolov Delchev, better known as Goce Delchev (Kukush, 4.02.1872 - Banica, 4.05.1903) - Macedonian national hero, participant in the Macedonian revolutionary movement, activist of the Macedonian revolutionary organization, apostle and the heart of a revolutionary organizer of Macedonia, ideologist of the Macedonian revolutionary national liberation movement at the end of the XIX and the beginning of the XX century.
HTMLText_959C4DBA_8152_0626_41BE_5ED91D99D1DC.html =
SKOPJE
The capital


Skopje is the capital and largest city of North Macedonia.
It is the country's political, cultural, economic, and academic center.
HTMLText_BEF2904A_A23A_C822_41E2_8BEE10F5850A.html =
SOUVENIRS


Here you can find a rich offer of souvenirs: souvenirs with the image of Mother Teresa; souvenirs inspired by the cultural heritage of Macedonia; books about the life and work of Mother Teresa; coins for collectors, postcards and more.
HTMLText_959C4DBA_8152_0626_41BE_5ED91D99D1DC_mobile.html =
SKOPJE
The capital


Skopje is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic center.
HTMLText_E35D539C_D621_0CD0_41D6_FF69FAF6E58C.html =
Mother Teresa or
Saint Teresa of Calcutta
Catholic nun,
winner of the Nobel Peace Prize and a saint in the Catholic world




Gonxha Agnes Bojaxhiu (Mother Teresa) was born on August 26, 1910, on the then street "Pop Kocina" number 14, which was located on the current square Macedonia. She was the youngest child in the family, had an older sister Aga and an older brother Lazarus. Aga was born in 1904, and Lazarus in 1908. The information about Gonxha's father, Nikola Bojaxhiu, has not been fully clarified. According to some he was a merchant, and according to others a pharmacy assistant. He was also a member of the Skopje Council as the only Catholic. He died in 1919. Mother Drana was a housewife and an extremely religious woman. She comes from the Bernaj family from Kosovo. Her father was a merchant and a large landowner.


Gonxha comes from a well-to-do family and was governed by the principle of helping anyone in need. Drana was a hardworking woman and in order to provide a safe life for her children, after Nikola's death, she started sewing and knitting.


It is believed that the name Gonxha was chosen by her father. It is an Albanian name and means bud or flower of a rose. When she turned seven, she went to school, first in the church "Sacred Heart of Jesus", and later in the state school. In the Catholic Church in Skopje, where she was baptized only one day after her birth, she received her first communion. Gonxha sang in a choir, played in church and city theaters, danced, recited, played the mandolin, and wrote poetry.


At the beginning of the 20th century, the Catholic Church of the Sacred Heart of Jesus in Skopje was led by the order of the Jesuits. Father Franjo Jambrekovic often read letters to the faithful from missionaries from India and Africa and vividly explained the life of the missionaries. Thus, he played a major role in the decision of little Gonja to leave for India to dedicate his life to God.


She made the final decision to leave Skopje because at the age of 12 she received a call from God.


At the age of 18, she left her native Skopje. Together with mother Drana and sister Aga they leave for Zagreb, from where, after two weeks, Gonxha leaves for Ireland. This is Gonxha's last meeting with her mother and sister.


LORETO
The Loreto sisters belong to the Institute of the Most Holy Mother of God, founded in 1609 by the twenty-four-year-old Mary Wond. She and her first companions founded the first school in St. Omer (now in France), in a house that still exists but is a private residence.


Today, the Loreto Sisters are engaged in a wide range of activities: literacy programs, spiritual guidance, counseling, managing shelters for homeless women, and in many aspects of the movement for greater justice and peace in the world. They are active on every continent and work in about 150 schools and are responsible for educating over 70,000 students.


At the age of 18, driven by the desire to become a missionary, Gonxha left her home and native Skopje to join the Loreto Sisters in Dublin, Ireland. There, he chooses the name Teresa after his patron saint St. Teresa of Lizier. She learned English because the Loreto Sisters used that language when teaching in schools in India. Although her stay in Dublin was short, the sisters remember her as "very small, shy and quiet".


Missionary work
In 1928 he left his hometown and via Dublin went to Bengal and Calcutta in India. After only two months, she fulfills her wish and joins the Loretta Sisters in Bengal. He takes his first oath in Calcutta. Then she was active for 17 years in the school "St. Mary's School "in Calcutta. First as a teacher, and then as a director.


On one of the many trips through the million-strong city of Calcutta in 1946, she he felt God's call to help the poor. It was not until two years later that he received permission to leave the ranks. Teresa was excluded, meaning she could leave the ranks without relinquishing her status as a nun. Teresa has since lived with the poorest in the suburbs of Calcutta. A portrait of her in LIFE magazine, which became famous, was nicknamed "Saint of the Gutters". Since then, everywhere and always she has been named Jesus, spreading her prayerful message that "the world is not hungry for bread alone, but for love."


In 1950. She founded the "Missionaries of Love for Neighbor" order, and in 1951 received Indian citizenship. The members of this order had to commit to non-marriage, poverty and obedience. This order was later recognized by the pope and was under his control. Teresa took special care of the dying, the orphans and the sick. Their special engagement, however, was caring for leprosy sufferers. Today, Mother Teresa has over 5,000 sisters and over 500 brothers in more than 100 countries around the world. She has received numerous awards for her selfless work. The most significant, without a doubt, was the 1979 Nobel Peace Prize.
To the often great lack of medical education of her co-workers, Mother Teresa caressed, saying, "It is not success but faith in faith that matters." Thus, in the policy of abortion in many countries, she saw "the greatest threat to world peace." When it came to voting in Ireland on whether the decision should be legalized, she called on Irish people to vote "No".


In 1980 she was declared an honorary citizen of her hometown Skopje, which since her departure in a divine and humanitarian mission to help the hungry and lonely, she has visited four times - in 1970, 1978, 1980 and 1986.


Beatification and Canonization
After several years of battling heart and lung disease, Mother Teresa died on September 5, 1997 at the age of 87. As a sign of gratitude, the Indian government, on September 13, organizes a funeral with the highest state honors.


Two years after her death, Pope John Paul II begins the diocesan phase of the process of beatification and canonization.


After the beatification of Mother Teresa, which was performed by Pope John Paul II on October 19, 2003, she received the title of Blessed Mother Teresa, which she carried until her canonization after the church officially established works and performed a second miracle. On December 17, 2015 Vatican confirms deeds Pope Francis has acknowledged her second miracle by treating a Brazilian man with multiple brain tumors.


The Pope canonized Mother Teresa on September 4, 2016 in St. Peter's Square in the Vatican in front of tens of thousands of people, including 15 official delegations of 1,500 homeless people from all over Italy.
The ceremony was broadcast live on Vatican television and on the Internet.
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The Skopje Aqueduct is an archaeological site located in the neighbourhood of Vizbegovo 2 km (1.2 mi) northwest of central Skopje. The Skopje Aqueduct is the only aqueduct in Macedonia.


The question of when the Skopje Aqueduct was built is unclear.
There are three theories:


• during the reign of Rome (1st century); according to this theory the aqueduct fed water to Legionary settlement Scupi.
• during the reign of Byzantine Empire (reign of Emperor Justinian I); according to this theory, the aqueduct shipped water to the new settlement Justiniana Prima.
• during the reign of Ottoman Empire; according to this theory the aqueduct was built in the 16th century for the many Turkish public hamams.


This aqueduct was in use until the 18 century.
Only about 386 meters (1,266 ft) with 55 arches of this structure of stone and brick remain. It is assumed that the aqueduct took water from the spring Lavovec (village Gluvo in mountain Skopska Crna Gora), 9 kilometers (5.6 mi) northwest from Skopje and brought water to city center.
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Mother Teresa or
Saint Teresa of Calcutta
Catholic nun,
winner of the Nobel Peace Prize and a saint in the Catholic world




Gonxha Agnes Bojaxhiu (Mother Teresa) was born on August 26, 1910, on the then street "Pop Kocina" number 14, which was located on the current square Macedonia. She was the youngest child in the family, had an older sister Aga and an older brother Lazarus. Aga was born in 1904, and Lazarus in 1908. The information about Gonxha's father, Nikola Bojaxhiu, has not been fully clarified. According to some he was a merchant, and according to others a pharmacy assistant. He was also a member of the Skopje Council as the only Catholic. He died in 1919. Mother Drana was a housewife and an extremely religious woman. She comes from the Bernaj family from Kosovo. Her father was a merchant and a large landowner.


Gonxha comes from a well-to-do family and was governed by the principle of helping anyone in need. Drana was a hardworking woman and in order to provide a safe life for her children, after Nikola's death, she started sewing and knitting.



It is believed that the name Gonxha was chosen by her father. It is an Albanian name and means bud or flower of a rose. When she turned seven, she went to school, first in the church "Sacred Heart of Jesus", and later in the state school. In the Catholic Church in Skopje, where she was baptized only one day after her birth, she received her first communion. Gonxha sang in a choir, played in church and city theaters, danced, recited, played the mandolin, and wrote poetry.


At the beginning of the 20th century, the Catholic Church of the Sacred Heart of Jesus in Skopje was led by the order of the Jesuits. Father Franjo Jambrekovic often read letters to the faithful from missionaries from India and Africa and vividly explained the life of the missionaries. Thus, he played a major role in the decision of little Gonja to leave for India to dedicate his life to God.


She made the final decision to leave Skopje because at the age of 12 she received a call from God.


At the age of 18, she left her native Skopje. Together with mother Drana and sister Aga they leave for Zagreb, from where, after two weeks, Gonxha leaves for Ireland. This is Gonxha's last meeting with her mother and sister.


LORETO
The Loreto sisters belong to the Institute of the Most Holy Mother of God, founded in 1609 by the twenty-four-year-old Mary Wond. She and her first companions founded the first school in St. Omer (now in France), in a house that still exists but is a private residence.


Today, the Loreto Sisters are engaged in a wide range of activities: literacy programs, spiritual guidance, counseling, managing shelters for homeless women, and in many aspects of the movement for greater justice and peace in the world. They are active on every continent and work in about 150 schools and are responsible for educating over 70,000 students.


At the age of 18, driven by the desire to become a missionary, Gonxha left her home and native Skopje to join the Loreto Sisters in Dublin, Ireland. There, he chooses the name Teresa after his patron saint St. Teresa of Lizier. She learned English because the Loreto Sisters used that language when teaching in schools in India. Although her stay in Dublin was short, the sisters remember her as "very small, shy and quiet".


Missionary work
In 1928 he left his hometown and via Dublin went to Bengal and Calcutta in India. After only two months, she fulfills her wish and joins the Loretta Sisters in Bengal. He takes his first oath in Calcutta. Then she was active for 17 years in the school "St. Mary's School "in Calcutta. First as a teacher, and then as a director.


On one of the many trips through the million-strong city of Calcutta in 1946, she he felt God's call to help the poor. It was not until two years later that he received permission to leave the ranks. Teresa was excluded, meaning she could leave the ranks without relinquishing her status as a nun. Teresa has since lived with the poorest in the suburbs of Calcutta. A portrait of her in LIFE magazine, which became famous, was nicknamed "Saint of the Gutters". Since then, everywhere and always she has been named Jesus, spreading her prayerful message that "the world is not hungry for bread alone, but for love."


In 1950. She founded the "Missionaries of Love for Neighbor" order, and in 1951 received Indian citizenship. The members of this order had to commit to non-marriage, poverty and obedience. This order was later recognized by the pope and was under his control. Teresa took special care of the dying, the orphans and the sick. Their special engagement, however, was caring for leprosy sufferers. Today, Mother Teresa has over 5,000 sisters and over 500 brothers in more than 100 countries around the world. She has received numerous awards for her selfless work. The most significant, without a doubt, was the 1979 Nobel Peace Prize.
To the often great lack of medical education of her co-workers, Mother Teresa caressed, saying, "It is not success but faith in faith that matters." Thus, in the policy of abortion in many countries, she saw "the greatest threat to world peace." When it came to voting in Ireland on whether the decision should be legalized, she called on Irish people to vote "No".


In 1980 she was declared an honorary citizen of her hometown Skopje, which since her departure in a divine and humanitarian mission to help the hungry and lonely, she has visited four times - in 1970, 1978, 1980 and 1986.


Beatification and Canonization


After several years of battling heart and lung disease, Mother Teresa died on September 5, 1997 at the age of 87. As a sign of gratitude, the Indian government, on September 13, organizes a funeral with the highest state honors.


Two years after her death, Pope John Paul II begins the diocesan phase of the process of beatification and canonization.


After the beatification of Mother Teresa, which was performed by Pope John Paul II on October 19, 2003, she received the title of Blessed Mother Teresa, which she carried until her canonization after the church officially established works and performed a second miracle. On December 17, 2015 Vatican confirms deeds Pope Francis has acknowledged her second miracle by treating a Brazilian man with multiple brain tumors.


The Pope canonized Mother Teresa on September 4, 2016 in St. Peter's Square in the Vatican in front of tens of thousands of people, including 15 official delegations of 1,500 homeless people from all over Italy.
The ceremony was broadcast live on Vatican television and on the Internet.
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SKOPJE
Capital of the Republic of
North Macedonia




Skopje is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic center.


The territory of Skopje has been inhabited since at least 4000 BC; remains of Neolithic settlements have been found within the old Kale Fortress that overlooks the modern city centre. Originally a Paeonian city, Scupi became the capital of Dardania in the second century BC.
On the eve of the 1st century AD, the settlement was seized by the Romans and became a military camp.
When the Roman Empire was divided into eastern and western halves in 395 AD, Scupi came under Byzantine rule from Constantinople. During much of the early medieval period, the town was contested between the Byzantines and the Bulgarian Empire, whose capital it was between 972 and 992.
From 1282, the town was part of the Serbian Empire and acted as its capital city from 1346 to 1371.
In 1392, Skopje was conquered by the Ottoman Turks who called it Üsküb, with this name also being in use in English for a time. The town stayed under Ottoman control for over 500 years, serving as the capital of pashasanjak of Üsküp and later the Vilayet of Kosovo. At that time the city was famous for its oriental architecture.
In 1912, it was annexed by the Kingdom of Serbia during the Balkan Wars.
During the First World War the city was seized by the Kingdom of Bulgaria, and after this war, it became part of the newly formed Kingdom of Yugoslavia becoming the capital of the Vardarska banovina.
In the Second World War the city was again captured by Bulgaria
In 1944 became the capital of SR Macedonia, then a federated state of Yugoslavia. The city developed rapidly, but this trend was interrupted in 1963 when it was hit by a disastrous earthquake.



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JOHN DOE
Licensed Real Estate Salesperson


Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com




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HTMLText_17528AC5_57D1_805F_41CC_502F9EE91657.html =
JOHN DOE
Licensed Real Estate Salesperson


Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com




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CATHEDRAL CHURCH
St. Clement of Ohrid




The Church of Saint Clement of Ohrid is the largest cathedral of the Macedonian Orthodox Church today.


The construction of the Orthodox Cathedral church, designed by Slavko Brezovski, began in 1972 and was consecrated on 12 August 1990, on the 1150th anniversary of the birth of the church patron, St. Clement of Ohrid. This rotunda type church, with 36m x 36m dimension, composed only of domes and arches, is one of the most interesting architectural examples in recent Macedonian history. The main church is dedicated to St. Clement of Ohrid, and the church below to the Holy Mother. One of the chapels is dedicated to Emperor Constantine and Empress Helena, and the other to St. Mina, the martyr. The icons in the iconostasis were painted by Gjorgji Danevski and Spase Spirovski and the frescoes were painted by academic painter Jovan Petrov and his collaborators.


Under the central dome there is a 3.5 m high archbishopric throne. The two chairs opposite of it are each 2 meters high and according to local catechisms, are intended for the ruler of the world and his empress. The Central dome has an area of 650 m². The frescoes are works of the academic painter Jovan Petrov and his collaborators. Uniquely, in this church Jesus Christ is painted on the surface of 70 square meters, with each eye having a diameter of 1.5 m. A departure from tradition is that the Old Testament prophets are depicted as sitting instead of standing. The second departure from tradition are the large windows. To avoid large amounts of light a crystalline acrylic is placed in front of them, creating wondrous rays of color depending on the angle by which the light falls on it. Lighting of the church is done by five tons hard polileum which is placed under the central dome. On it are arranged about 400 bulbs. The second polileum, which is in the middle, hangs over the altar in the Holy See.


A 45 meter high belfry located in the yard, left (north) from the main entrance. The total number of church bells is 3; each weighing 1000 kg, 500 kg and 300 kg respectively.


The fountain in front of the church was a gift from the Islamic religious community.
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Church
St. Demetrius




The Orthodox Church "St. Demetrius” in Skopje is a former cathedral church of the Skopje Diocese, dedicated to the great martyr Dimitrija. In its place there was an old temple, which existed since the XVI century. In 1727 "St. Demetrius” is mentioned as a cathedral church.


Throughout the history of its centuries-old existence, the church has been renovated several times: in 1835 and 1864, in 1886 and 1894, and in 1896 it was expanded and received its present appearance by the famous Veles master Dame, son of Andreja Damjanov. The new fresco, the icon painting of the wooden iconostasis and the royal doors were made by the famous painter Dimitar Papradiski. In 1907/8 its bell tower was built.


From 1886 to 1894 the church was renovated and expanded. The church was built in the shape of a ship. During the repairs that were carried out on the church, the old frescoes and all important records for the church were destroyed. According to written data, it is known that the church existed in the Middle Ages, in some periods it was a cathedral and that it housed the Skopje Diocese and the Diocese of Pec Patriarchate. In the yard of this church until 1878 there was a cemetery. In the period between the two world wars there were tombstones and remains of a former tomb.


In 1890, the newly appointed Exarchate Metropolitan Teodosij Gologanov of Macedonian origin came to Skopje. He used all his forces to unite the Macedonian people and launched a fight against Greek, Serbian and Bulgarian propaganda, and was even ready to accept union with the Vatican in order to renew the Ohrid Archbishopric. The Bulgarian Exarchate forcibly took him to Constantinople in 1892 when he was deprived of the rank of Metropolitan of Skopje.


After the catastrophic earthquake of 1963, the painting was done by the painter Krste Koloski in the period from 1963 to 1973.
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Church
St. Holy Mother of God




"Holy Mother of God" as a cathedral and protector of the city of Skopje was built in 1204 by the Macedonian medieval ruler Dobromir Hrs. Construction was completed in 1214 by his son Strez. This church existed until 1688, when it was demolished by the Turks.


After many years, at the beginning of the XIX century, the construction of the church dedicated to the patron saint of Skopje started again. According to the Skopje merchant Hadzi-Kosta, the builders and woodcarvers started working in 1809, and after 10 years of waiting for the approval for construction by the sultan in Constantinople, the church was solemnly consecrated on May 1, 1835. According to Vasil K'nchov, the building permit was issued in 1834. The construction and the iconostasis were performed by the famous masters and woodcarvers from Debar, ie the tribes of Renzovci-Zografski in a larger part and Frckovski in a smaller part. In the period from 1848-1857, in this church, at the call of the citizens of Skopje, a school in the Macedonian vernacular was opened and led by the Macedonian educator Jordan Hadzi-Konstantinov - The Giant. He gained great respect and popularity among the citizens, and in the churchyard he held the first plays and dramatic attempts of the students, written by him.


Towards the end of World War II, in 1944, the church, with its invaluable richness and frescoes, was set on fire by the Bulgarian fascist occupying army. The communist government in the then FR Macedonia within the SFRY did not start rebuilding the temple, so it was completely destroyed in the 1963 Skopje earthquake.


With the independence of Macedonia, the initiatives for the reconstruction of the church begin again. At the beginning of 1995, a group of mainly elderly citizens (pensioners) of Skopje established and registered an association of citizens for the reconstruction of the church, and in the same year they managed to secure the title deed and get the construction of the church included in the DUP of Skopje. In the next few years they managed to build a small temple near the foundations of the former church. In 2004, the famous Skopje businessman and former mayor Trifun Kostovski became actively involved in the reconstruction of the church. Thanks to his engagement and financial means, the construction started in 2005 and ended with the consecration of the church on the feast of St. Athanasius, on January 31, 2008.


The church has been restored to the same appearance and architecture as it had in the past.
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Daut-Pasha Amam
Gallery




The hammam was built between 1489 and 1497, as a legacy of the then Vizier of Rumelia, Daut Pasha, but the names of its architects are still unknown. The building was badly damaged in the fire of 1689 and was left to gradually decay. It was renovated in 1948, when it was converted into an art gallery. It was also damaged by the 1963 earthquake, but was soon renovated and has since reopened as an art gallery.


The building has a rectangular shape, with small insignificant extensions on its south and north sides. Its architecture is monumental, and the construction is done with refinement. The walls of the building are massive and contain small openings with arched and architecturally vaulted fields, in which the windows and doors are located. The entrance doors are located on walls made of profiled tiles, and on the west side of the facade of the hammam there is an opening, which is framed in a profiled marble frame, in which there was a plate with an inscription. The interior is covered with 13 domes of different sizes, of which the two largest on the west side stand out, while the other 11 are unseymmetrically arranged above the other part of the hammam. There are 15 rooms in the building, which are illuminated with the help of star openings on the domes covered with glass. On the inside, the walls were decorated with colorful ornaments. As it was a double bath, it had two separate entrances, one for men and one for women. In accordance with Islamic canons, such divided entrances were not on the same side.


According to the information, the Daut Pasha bath was never put into use as a bath, for which there are two legends. According to one, heating the hammam required large quantities of firewood, which could not be provided because the forest on Mount Vodno was almost destroyed, so the lack of firewood prevented the building from being put into operation. The second legend is related to the daughter of Daut Pasha, who before the commissioning visited the hammam and was bitten by a venomous snake and then died. Daut Pasha then ordered the inn to be closed and never used again.
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MUSEUM
Illegal weapons production workshop (1941-1944)




During the People's Liberation War (1941-1944), the illegal weapons workshop operated from August to December 1941, when its owner and master Serafim Vidovski was arrested.


The workshop resumed operations in 1943.


Explosive devices were made in it and the weapons for the partisan groups operating in Skopje and the surrounding area were repaired.
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MUSEUM
Illegal weapons production workshop (1941-1944)




During the People's Liberation War (1941-1944), the illegal weapons workshop operated from August to December 1941, when its owner and master Serafim Vidovski was arrested.


The workshop resumed operations in 1943.


Explosive devices were made in it and the weapons for the partisan groups operating in Skopje and the surrounding area were repaired.
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MUSEUM
Illegal weapons production workshop (1941-1944)




During the People's Liberation War (1941-1944), the illegal weapons workshop operated from August to December 1941, when its owner and master Serafim Vidovski was arrested.


The workshop resumed operations in 1943.


Explosive devices were made in it and the weapons for the partisan groups operating in Skopje and the surrounding area were repaired.
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MUSEUM
Illegal weapons production workshop (1941-1944)




During the People's Liberation War (1941-1944), the illegal weapons workshop operated from August to December 1941, when its owner and master Serafim Vidovski was arrested.


The workshop resumed operations in 1943.


Explosive devices were made in it and the weapons for the partisan groups operating in Skopje and the surrounding area were repaired.
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Mosque
Ishak-begova




Ishaq Bey Mosque, also known as Colorful Mosque (Alaja Mosque) - is located near the Bit-Pazar market. It was built by order of the second Ottoman ruler of the city, Ishaq-bey, in 1438. Throughout history, the mosque has suffered great damage, and has been rebuilt and rebuilt several times. It also included a turbe, a madrasa, an imaret and lodgings; and in it, Ishaq-bey founded one of the first Islamic libraries in Europe.


According to the preserved data, the mosque was built in 1438, only two years after the construction of the Sultan Murat Mosque, and its construction was ordered by the second Ottoman governor of Skopje, Ishak-bey. The inscription at the entrance to the mosque states that it was rebuilt in 1519 by order of Mehmed, grandson of Ishak Bey, with the addition of two side ships. The building suffered severe damage in the fire of 1689, when the multicolored ceramic tiles that adorned the façade and the drum were completely destroyed. The earthquake of 1963 caused great damage, after which the turbe was restored and in 1972 new ceramic tiles with faience decoration were installed.


The building has a modest architecture, although its large entrance gates contain carvings with oriental motifs. The original appearance of the mosque is not known, but it is assumed that it was a domed mosque with a porch with three openings. On the north side of the mosque in its present appearance is a porch with five openings. The middle part of the building is covered with a large dome, and smaller domes are located above the side parts of the porch. The rest of the mosque and the porch are covered with semi-cylindrical arches. The porch is enclosed on all sides by a full wall, and its arches rest on square stone pillars. There are two stairs in the walls on the sides of the porch: the first leads to the minaret, and the second to the roof of the mosque. The interior of the porch is characterized by rich stalactite decoration, and in it there is an external mihrab. The decoration of the middle arch of the porch leaves a special impression from the decoration, of which today only fragmentary remains are preserved. The mosque is built of soft stone, and the presence of stone is noticeable on the portal and window frames. [5] The interior of the mosque is decorated with various reliefs and painted ornaments, and its walls end with a faience decorated wreath and a six-pointed star made of ceramic tiles. The minaret is 30 m high and is located on the right side of the main entrance. It is built of well-worked stone blocks, which are decorated with rich stalactite decoration and decorated parapet tiles.


In the courtyard of the mosque there is a fountain, which compared to the original has preserved the middle part of the stone. There was a cemetery in the area around the building and the tomb, and today numerous tombstones are preserved, which are from the XVI and XIX century and have great historical value for the city.
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Mosque
Murat Pasha




The Murat Pasha Mosque is a mosque in Skopje, located in the central part of the Old Skopje Bazaar. The building is located in the immediate vicinity of Cifte-amam and Suli an and together with these two buildings constitutes the only existing "Islamic troika" on the territory of the bazaar and in Skopje in general. The mosque has the status of protected cultural heritage.


According to the inscription on the marble slab above the entrance door of the mosque, it is explained in Arabic that it was built around 1802 and 1803, after having previously burned in the fire of 1689. Research has been carried out, which confirms that an older building was located at the same place, from the walls of which remains were found. The mosque was last renovated at the end of the 20th century.


Apart from the minaret, the mosque is a relatively new building and belongs to the Ottoman Baroque style using neoclassical Islamic elements. The building has a square shape and is covered with a roof of four waters. In addition to the main entrance there is an entrance located on the north side. The interior of the mosque contains a wooden cassette ceiling, as well as a gallery (mahvil), mihrab and pulpit (minbar), which are considered characteristic elements of Ottoman Baroque architecture.


In the courtyard of the mosque there is a fountain built in 1937. Remains of a cemetery were also found, ie. three tombstones, dating from 1741 and 1790, while the third is difficult to date.
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Mosque
Mustafa Pasha




Mustafa Pasha Mosque on the stretch between Kurshumli an, the church "St. Spas ”and the Kale. The mosque was built in 1492, as a legacy of Vizier Mustafa Pasha, in whose honor it was named. Historically, the building included a turbe, a fountain, an imaret and a madrasa, of which today are preserved the tomb of Mustafa Pasha, the sarcophagus of his daughter Umi and the fountain in the courtyard of the mosque, as well as the remains of tombstones and the imaret and the madrasa.


The construction of the mosque is a characteristic representative of the early Constantinople architecture. Its base is square and is covered with a dome, whose diameter is 16.3 m. The dome was built on trumpets which are decorated with Arabic and on the left side of which are motifs painted from the time of the construction of the mosque, while on the right side are newer and without any special artistic value. The building is built of hewn stone and two rows of bricks. The entrance to the mosque is through the porch, which is made of white marble, and in front of it are four marble pillars that are connected by semicircular arches. This whole part is covered with three small domes. The 47 m high minaret is built on the northern part of the mosque and is built of limestone. Inside the mosque is the prayer space, on the southeastern part of which is a mihrab, from which the mourner reads the Quran, and to the right of the mihrab is a pulpit (mimber), from which prayers are recited. In the circular area with the Arabs, the names of Muhammad and Allah are written on the east and west, while on the south and north are the names of the caliphs: Abu Bakr, Umar, Uthman and Ali. There is a gallery (mehville) just above the front door.
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Necropolis Brazda
Archaeological site





The tomb (Necropolis) Brazda is located near the village Brazda, which is in the southwestern foothills of Skopska Crna Gora. To the south-west of the village rises a separate hill Gradishte, 70m high above the surrounding area. The northern and the western slopes are very steep, and on the south and east side the terrain steeply descends downwards. At the northern foot of the hill the rivers Brazda and Gluška (Čučerska) meet. These waters were captivated in roman times and supplied the ancient city Skupi and medieval Skopje with drinking water.


The remains of a fortified early antique settlement (5th-4th century B.C. ) can be found on the southern and western slope of the flattened top of Gradište hill, it is deployed in several terraces, on the surface of 4.5 Ha. It was a time when the most northern Paionian tribe Agrians lived in the region, but the type and nature of the excavated ceramic findings triggered a theory that Gradište was populated by Athenians who explored the rich natural resources of the environment.


At the northern foothill in 1986 a monumental structure was found, which according to researchers represents a tomb of a local royalty. This is confirmed primarily by its size, also by the quality of construction and the processing of the blocks, for which the most qualified architects were engaged.


The tomb is dug deep in solid rock, it has a rectangular room or chamber and an entrance with six steps on the south wall. There is a long access corridor (dromos), which steeply descends the slope of the hill and leads to the entrance. The walls of the chamber are made of nicely shaped travertine stone blocks of different sizes. The estimated weight ranges from 500 to 1500 kg. and it is assumed that


they were carried from the stone quarry in the village of Gorno Svilare which is located 23 km from this location. The blocks are placed on top of each other in horizontal arrays. The front size of each block was relief staged and framed with smooth frame on the edges. Above the entrance of the chamber we can see a horizontal stone-free zone on the north and south wall. A transverse wooden beams which formed the roof of the chamber were inserted there.


The decorative technique is the mark of the Athenian construction from the 5th and the early 4th century BC. These elements clearly differ from the characteristics of the Hellenistic period that came afterwards. The upper mentioned features, crucial for dating of the tomb have also been confirmed by the pottery findings.


The tomb in Brazda had a flat wooden ceiling. Tombs built entirely or partially out of wood are simpler and older than the ones built out of stone and they can be found throughout the 6th – 4th century BC across the vast Euro-Asian space as far the southern influences left a mark.


The tombs of the Macedonian type, from the late 4th and 3rd century BC, with vaulted stone arches, are similar to the Thracian tombs. The tomb from Tetovo was also vaulted, it is very similar to ours and built from travertine blocks in the same way, only much smaller (5,31 x 3, 51 x 1, 85) and with walls with smooth surface. The dating remains open. Judging from the manner of construction, the tomb probably was built in the 4th century BC, but the bronze statue of famous Menada, found in the tomb, confuses. It is made in the late 4th century.


The tomb from Brazda differs from the tombs of the Macedonian type, we can clearly see it the basis : there is no ante chamber and the main chamber is placed transverse to the dromos. The deceased is not laid in the tomb and the embankment on the top didn’t form a mound (tumulus), but it was merged with the environment. Also the stone shields are not known to the Macedonian region. We have analogies in the distant north in the Black Sea area in the royal Scythian tombs in Soloha and in Pazirik in the Altai. The form of this shield is common in Egypt.


The origins of the upper mentioned elements and the paths from which they reached us remain unclear


The fate of the tomb owner also remains vague. According to the situation revealed by excavation we can conclude the following: – After the funeral rituals the chamber door was locked from the outside (with 2 large plates) and the door and the dromos were filled with yellow-brown clay, in which cremated victims were buried occasionally and broken pottery was thrown inside .


It seems that shortly after the funeral, thieves penetrated from the top, broke the door and entered the chamber. Since they didn’t find the deceased here, they dug the whole paved floor. They dug to a depth of 1.2 m below the floor and broke the excavated blocks and threw them aside. That led to the creation of a 2 m high embankment in the chamber above the floor.


The fire that was burning on the both sides of the door damaged the internal doorposts. The destruction was also accelerated by the water (rain water) which penetrated through the hole in the chamber. Several blocks from the top were pushed into the chamber and the two stone shields were among them.


In addition to this conclusion – that the deceased was not resting in the chamber – we can add the fact that not one piece was found from a possible sarcophagus (out of stone) or its base. Similar to many other older tombs, the chamber in Brazda had undoubtedly a commemorative character, while the deceased was buried somewhere beside her.


Source: www.archeoparkbrazda.mk
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Tumba Madzari
Archaeological site





Neolithic settelment Tumba Madzari is located in the settlement “Metodija Andonov – Čento” on the “Madžari” street in the Municipality of Gazi Baba. It covers an area of 22,685 m² (2,2685 ha).


The archaeological site today is hardly noticeable, since most of its surface is occupied by houses built in the late sixties and during the seventies of the 20th century. Previously, the mound (tumba) in Madžari dominated the surrounding flat field.


The artefacts from this site are one of the columns of archaeological treasure in the Archaeological Museum of Macedonia, located in the central city area of Skopje.


RESEARCH BACKGROUND OF TUMBA MADŽARI


The settlement has been known in the literature since 1961/2, when archaeological surveys for the construction of the new highway, were performed. The first archaeological excavations of the site were carried out back in 1978 by the Museum of Macedonia, which confirmed the existence of the Neolithic settlement within the Anzabegovo-Vršnik Cultural Group. Voislav Sanev, archaeologist from the Museum of Macedonia – Skopje, was the head of the first and most extensive excavations carried out from 1978 to 2000.


Archaeological excavations in 2002 continue as a part of the international project between the CNRS from Paris, France, under the leadership of Catherine Commenge, PhD, the Museum of Macedonia under the leadership of Dragiša Zdravkovski, PhD and in cooperation with the Institute of Art History and Archaeology in the Faculty of Philosophy- Skopje. From 2003 to 2005, the French team worked independently. Within the framework of the international project, along with the archaeological excavations, petrographic, geological, paleobotanical, archaeological analyses, as well as time determination of the site, were also made.


The Museum of Macedonia in 2004 continued the excavations under the leadership of Dragiša Zdravkovski, PhD. From 2008 to 2013, archaeological excavations continued under the leadership of Elena Stojanova-Kanzurova, MA.


CHRONOLOGICAL AND CULTURAL CHARACTER OF TUMBA MADŽARI


Tumba Madžari is one of the longest researched archaeological sites from the Middle Neolithic in Macedonia and is chronologically connected to the VI millennium BC.


The oldest cultural layer of Tumba Madžari chronologically corresponds to the Anzabegovo-Vršnik phase I, i.e. from the end of the Early Neolithic period. The second and the third cultural layer corresponds to the Anzabegovo-Vršnik II and III phase, which are synchronous with the Middle Neolithic.


Most of the archaeological material is from the layer of the Middle Neolithic phase, i.e. the Anzabegovo-Vršnik II and III phases. During that period, the settlement experienced its greatest economic and cultural development. The end of the life in the settlement is at final phase Anzabegovo-Vršnik III, at the beginning of the Late Neolithic, recorded by a small numbers of artefacts. A Late Neolithic stratum was not detected for the time being. It might indicate that the settlement was devastated in the 20th century, or abandoned in the prehistoric period.


ARCHITECTURE OF TUMBA MADŽARI


Tumba Madžari is one of the few Neolithic sites in Macedonia that provides a more detailed picture of the architecture, its internal and external organization, as well as the household inventory.


So far, nine closed units – houses have been determined, belonging to III and II cultural horizons, as well as several partially explored houses, which gave a more detailed picture of the architecture. The basic architecture in Tumba Madžari has a residential character, but its sacral and commercial character is also confirmed. The houses are built in the spirit of the traditions of agricultural communities, i.e. using a construction material of wood, clay, earth, reed and straw. The base of the houses is usually rectangular and square, with the exception of two houses, the base of which is reminiscent of the Cyrillic letter “Г”. The dimensions of the houses are from 4.50 x 6 m to 9 x 9 m.


Ceramic altars – models, featuring a house with an “A-frame” roof, are closest to the image of the roof look of the Neolithic houses.


During the archaeological excavations in Tumba Madžari, a sanctuary of public character has not been found so far, which doesn’t mean that it didn’t exist. Archaeological finds, such as sculptural zoomorphic representations and the large anthropomorphic head with cult features, point to the possibility of the existence of such a sanctuary. The large number of ceramic anthropomorphic and zoomorphic altars i.e. and other cult objects, much more point to the existence of a certain sacred space within each household.


CERAMIC PRODUCTION IN TUMBA MADŽARI


Tumba Madžari can undoubtedly be included in the rare Neolithic centres of Macedonia where luxurious ceramics, recognizable for the Upper Vardar Region and the larger area, were created and produced.


The excavations revealed ceramic vessels with various shapes, dimensions and quality of processing. Their surface is often filled with ornaments performed with engraving and embossing techniques. By its form they are usually pots, large-sized pithoi, wide-open cone plates, bowls, cups and other types of dishes, as part of the household inventory for preparing food, its storage, and transport.


Special ceramic vessels, known as “askoi”, have specific aesthetic forms which are a characteristic ceramic product in the Middle Neolithic for this archaeological site.


Tumba Madžari is distinctive, especially through elegant bell-shaped goblets and amphorae with specific,“gourd” forms, made of purified clay and baked at high temperature. Special iconography on the amphora surface is the one with organized fields filled with hatched shapes – leafs, which, in archaeological science, is better known as the “vegetable-floral” style of the Anzabegovo-Vršnik cultural group.


The idea of a spiritual and material culture of the Neolithic population inTumba Madžari, is complemented by unusually interesting ceramic finds with anthropomorphic and zoomorphic representations, so-called “T-amulets” or “bucrania”, items that resemble tables arranged on four or three legs and other ceramic finds.


THE “GREAT MOTHER” (MAGNA MATER) CULT


Social relations in the Neolithic communities, especially within families, were shaped by the interests of community survival and prosperity, awarding the woman a special social status. She was a powerful inspiration to the Neolithic sculptor who wanted to immortalize her spirit, especially her body, by using natural materials (clay, stone, animal bones) in order to express and emphasize basic physical features and gender elements. The role of the woman as a mother was linked with the cult of fertility, i.e. the so-called cult of the “Great Mother” (Magna Mater) Goddess, exemplified by the ceramic representations on sacrificial altars of both cultural groups on the territory of Macedonia. The representation of a woman was dominant in the artistic repertoire of this type of sacrificial altar of the Anzabegovo-Vršnik cultural group. On the other hand, the representation of a house, which was a symbol of the family as a foundation of the social and economic life, was dominant in the Velušina-Porodin cultural group. The iconography of this cult, with a symbiosis of the female body and the house, was unique in its original artistic expression that distinguishes the Macedonian Neolithic from other Neolithic cultures.


The famous ceramic sculpture of the Great Mother, which was discovered as a whole for the first time among the Neolithic settlements in Macedonia, is what makes Tumba Madzari uniquely identifiable in the Great Mother tradition. It is a specific archaeological mark of the site. This impressive form of an altar with a cult purpose was discovered during the excavations of the first house in Tumba Madzari 1981. A similar whole ceramic sculpture was also discovered in house 5 back in 1987. Larger or smaller fragments of such an altar were found in the other houses in Tumba Madzari. According to the first Tumba Madzari researcher, and later confirmed by other researchers, the impression is that the possession of these altars was the desire and obligation of every family. The altar was probably ordered during the building of the house. Their entry into the new building could be interpreted as its “sanctification”.


ANTROPOMORPHIC SCULPTURES


Anthropomorphic sculptures are numerous in the Neolithic settlement of Tumba Madzari. The number of excavated female figurines is much higher in comparison with male figurines. They are usually made of clay, but there are also examples made of stone or animal bone. It does not exclude the possibility that some of them may have been made of wood. In the modelling of the human body, the Neolithic master showed great skill and emphasized the physical attributes of fertility.


STOCKBREEDING IN TUMBA MADŽARI


Animals have alway been a part of people’s lives. Looking back in time, people hunted animals, tamed them, used them as a source of food, raw material and labour, or they were raised as pets. Some of the animals were respected as deities or as symbols of their communities within the fertile cults, materialized through painted and sculptural forms.


The results of the analyzed archaeological material from the Tumba Madžari do not bounce back from the tendency of the Middle Neolithic sites in Macedonia: in relation to the structure of stockbreeding and representation of hunting as an important source of food and raw materials. The animal’s hunting is still present, but in a smaller proportion compared to the presence of the already reared animals. Most often hunted animals are aurochs (wild cattle), deer and wild boar and rarely, doe, rabbit, wolf… In the archaeological material of Tumba Madžari, individual specimens of birds, fish and shells were recorded. Regarding the very structure of stockbreeding, sheep and goat remain dominant animals, followed by cattle, pig and dog.


ARCHAEOBOTANY IN TUMBA MADŽARI


The knowledge obtained from the modest archaeobotanic seeds and fruits analysed from Tumba Madžari are comparable to the findings of other Neolithic settlements. There are more data of emmer (Triticum dicoccum). Barley grains were also detected (Hordeum vulgare var nudum), pea’s beans (Pisum sativum), walnut residues, various weed sand some Lathirus seeds. Noteworthy is the “cache“ of pulse seeds (Vicia sp.) or “graorica“ (folk term), found in a child burial outside a Neolithic house in Tumba Madžari. Vicia seeds have great economic significance, mainly as fodder for livestock, but they can also be utilised by humans for medical purposes.
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FORTRESS
Arheological Site



Commonly referred to as Kale (from kale, the Turkish word for 'fortress'), is a historic fortress located in the old town of Skopje, the capital of North Macedonia. It is located on the highest point in the city overlooking the Vardar River. The fortress is depicted on the coat of arms of Skopje, which in turn is incorporated in the city's flag.


The first fortress was built in 6th century AD on a land that was inhabited during the Neolithic and Bronze ages (roughly 4000 BC onwards).


The fortress is thought to have been built during the rule of emperor Justinian I and constructed further during the 10th and 11th centuries over the remains of emperor Justinian's Byzantine fortress which may have been destroyed due to a number of wars and battles in the region.


In 1346 at the Skopje Fortress, Stefan Dušan adopted the title of Emperor at his coronation and he had transferred the capital of Serbian Empire to Skopje.


The fortress was partially destroyed yet again by an earthquake in 1963 but was not reconstructed until recently.
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LOREM IPSUM
DOLOR SIT AMET
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LOREM IPSUM
DOLOR SIT AMET
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AQUEDUCT
Arheological Site




The Skopje Aqueduct is an archaeological site located in the neighbourhood of Vizbegovo 2 km (1.2 mi) northwest of central Skopje.
The Skopje Aqueduct is the only aqueduct in Macedonia.


The question of when the Skopje Aqueduct was built is unclear.
There are 3 theories:


• during the reign of Rome (1st century); according to this theory the aqueduct fed water to Legionary settlement Scupi.
• during the reign of Byzantine Empire (reign of Emperor Justinian I); according to this theory, the aqueduct shipped water to the new settlement Justiniana Prima.
• during the reign of Ottoman Empire; according to this theory the aqueduct was built in the 16th century for the many Turkish public hamams.


This aqueduct was in use until the 18 century.
Only about 386 meters (1,266 ft) with 55 arches of this structure of stone and brick remain. It is assumed that the aqueduct took water from the spring Lavovec (village Gluvo in mountain Skopska Crna Gora), 9 kilometers (5.6 mi) northwest from Skopje and brought water to city center.
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CATHEDRAL CHURCH
St. Clement of Ohrid




The Church of Saint Clement of Ohrid is the largest cathedral of the Macedonian Orthodox Church today.


The construction of the Orthodox Cathedral church, designed by Slavko Brezovski, began in 1972 and was consecrated on 12 August 1990, on the 1150th anniversary of the birth of the church patron, St. Clement of Ohrid. This rotunda type church, with 36m x 36m dimension, composed only of domes and arches, is one of the most interesting architectural examples in recent Macedonian history. The main church is dedicated to St. Clement of Ohrid, and the church below to the Holy Mother. One of the chapels is dedicated to Emperor Constantine and Empress Helena, and the other to St. Mina, the martyr. The icons in the iconostasis were painted by Gjorgji Danevski and Spase Spirovski and the frescoes were painted by academic painter Jovan Petrov and his collaborators.


Under the central dome there is a 3.5 m high archbishopric throne. The two chairs opposite of it are each 2 meters high and according to local catechisms, are intended for the ruler of the world and his empress. The Central dome has an area of 650 m². The frescoes are works of the academic painter Jovan Petrov and his collaborators. Uniquely, in this church Jesus Christ is painted on the surface of 70 square meters, with each eye having a diameter of 1.5 m. A departure from tradition is that the Old Testament prophets are depicted as sitting instead of standing. The second departure from tradition are the large windows. To avoid large amounts of light a crystalline acrylic is placed in front of them, creating wondrous rays of color depending on the angle by which the light falls on it. Lighting of the church is done by five tons hard polileum which is placed under the central dome. On it are arranged about 400 bulbs. The second polileum, which is in the middle, hangs over the altar in the Holy See.


A 45 meter high belfry located in the yard, left (north) from the main entrance. The total number of church bells is 3; each weighing 1000 kg, 500 kg and 300 kg respectively.


The fountain in front of the church was a gift from the Islamic religious community.
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Church
St. Demetrius




The Orthodox Church "St. Demetrius" in Skopje is a former cathedral church of the Skopje Diocese, dedicated to the great martyr Dimitrija. In its place there was an old temple, which existed since the XVI century. In 1727 "St. Demetrius" is mentioned as a cathedral church.


Throughout the history of its centuries-old existence, the church has been renovated several times: in 1835 and 1864, in 1886 and 1894, and in 1896 it was expanded and received its present appearance by the famous Veles master Dame, son of Andreja Damjanov. The new fresco, the icon painting of the wooden iconostasis and the royal doors were made by the famous painter Dimitar Papradiski. In 1907/8 its bell tower was built.


From 1886 to 1894 the church was renovated and expanded. The church was built in the shape of a ship. During the repairs that were carried out on the church, the old frescoes and all important records for the church were destroyed. According to written data, it is known that the church existed in the Middle Ages, in some periods it was a cathedral and that it housed the Skopje Diocese and the Diocese of Pec Patriarchate. In the yard of this church until 1878 there was a cemetery. In the period between the two world wars there were tombstones and remains of a former tomb.


In 1890, the newly appointed Exarchate Metropolitan Teodosij Gologanov of Macedonian origin came to Skopje. He used all his forces to unite the Macedonian people and launched a fight against Greek, Serbian and Bulgarian propaganda, and was even ready to accept union with the Vatican in order to renew the Ohrid Archbishopric. The Bulgarian Exarchate forcibly took him to Constantinople in 1892 when he was deprived of the rank of Metropolitan of Skopje.


After the catastrophic earthquake of 1963, the painting was done by the painter Krste Koloski in the period from 1963 to 1973.
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Church
St. Holy Mother of God




"Holy Mother of God" as a cathedral and protector of the city of Skopje was built in 1204 by the Macedonian medieval ruler Dobromir Hrs. Construction was completed in 1214 by his son Strez. This church existed until 1688, when it was demolished by the Turks.


After many years, at the beginning of the XIX century, the construction of the church dedicated to the patron saint of Skopje started again. According to the Skopje merchant Hadzi-Kosta, the builders and woodcarvers started working in 1809, and after 10 years of waiting for the approval for construction by the sultan in Constantinople, the church was solemnly consecrated on May 1, 1835. According to Vasil K'nchov, the building permit was issued in 1834. The construction and the iconostasis were performed by the famous masters and woodcarvers from Debar, ie the tribes of Renzovci-Zografski in a larger part and Frckovski in a smaller part. In the period from 1848-1857, in this church, at the call of the citizens of Skopje, a school in the Macedonian vernacular was opened and led by the Macedonian educator Jordan Hadzi-Konstantinov - The Giant. He gained great respect and popularity among the citizens, and in the churchyard he held the first plays and dramatic attempts of the students, written by him.


Towards the end of World War II, in 1944, the church, with its invaluable richness and frescoes, was set on fire by the Bulgarian fascist occupying army. The communist government in the then FR Macedonia within the SFRY did not start rebuilding the temple, so it was completely destroyed in the 1963 Skopje earthquake.


With the independence of Macedonia, the initiatives for the reconstruction of the church begin again. At the beginning of 1995, a group of mainly elderly citizens (pensioners) of Skopje established and registered an association of citizens for the reconstruction of the church, and in the same year they managed to secure the title deed and get the construction of the church included in the DUP of Skopje. In the next few years they managed to build a small temple near the foundations of the former church. In 2004, the famous Skopje businessman and former mayor Trifun Kostovski became actively involved in the reconstruction of the church. Thanks to his engagement and financial means, the construction started in 2005 and ended with the consecration of the church on the feast of St. Athanasius, on January 31, 2008.


The church has been restored to the same appearance and architecture as it had in the past.
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Daut-Pasha Amam
Gallery




The hammam was built between 1489 and 1497, as a legacy of the then Vizier of Rumelia, Daut Pasha, but the names of its architects are still unknown. The building was badly damaged in the fire of 1689 and was left to gradually decay. It was renovated in 1948, when it was converted into an art gallery. It was also damaged by the 1963 earthquake, but was soon renovated and has since reopened as an art gallery.


The building has a rectangular shape, with small insignificant extensions on its south and north sides. Its architecture is monumental, and the construction is done with refinement. The walls of the building are massive and contain small openings with arched and architecturally vaulted fields, in which the windows and doors are located. The entrance doors are located on walls made of profiled tiles, and on the west side of the facade of the hammam there is an opening, which is framed in a profiled marble frame, in which there was a plate with an inscription. The interior is covered with 13 domes of different sizes, of which the two largest on the west side stand out, while the other 11 are unseymmetrically arranged above the other part of the hammam. There are 15 rooms in the building, which are illuminated with the help of star openings on the domes covered with glass. On the inside, the walls were decorated with colorful ornaments. As it was a double bath, it had two separate entrances, one for men and one for women. In accordance with Islamic canons, such divided entrances were not on the same side.


According to the information, the Daut Pasha bath was never put into use as a bath, for which there are two legends. According to one, heating the hammam required large quantities of firewood, which could not be provided because the forest on Mount Vodno was almost destroyed, so the lack of firewood prevented the building from being put into operation. The second legend is related to the daughter of Daut Pasha, who before the commissioning visited the hammam and was bitten by a venomous snake and then died. Daut Pasha then ordered the inn to be closed and never used again.
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FORTRESS
Arheological Site




Commonly referred to as "Kale" (from Kale, the Turkish word for 'fortress'), is a historic fortress located in the old town of Skopje, the capital of North Macedonia. It is located on the highest point in the city overlooking the Vardar River. The fortress is depicted on the coat of arms of Skopje, which in turn is incorporated in the city's flag.


The first fortress was built in 6th century AD on a land that was inhabited during the Neolithic and Bronze ages (roughly 4000 BC onwards).


The fortress is thought to have been built during the rule of emperor Justinian I and constructed further during the 10th and 11th centuries over the remains of emperor Justinian's Byzantine fortress which may have been destroyed due to a number of wars and battles in the region.


In 1346 at the Skopje Fortress, Stefan Dušan adopted the title of Emperor at his coronation and he had transferred the capital of Serbian Empire to Skopje.


The fortress was partially destroyed yet again by an earthquake in 1963 but was not reconstructed until recently.
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MUSEUM
Illegal weapons production workshop (1941-1944)




During the People's Liberation War (1941-1944), the illegal weapons workshop operated from August to December 1941, when its owner and master Serafim Vidovski was arrested.


The workshop resumed operations in 1943.


Explosive devices were made in it and the weapons for the partisan groups operating in Skopje and the surrounding area were repaired.
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Mosque
Ishak-begova




Ishaq Bey Mosque, also known as Colorful Mosque (Alaja Mosque) - is located near the Bit-Pazar market. It was built by order of the second Ottoman ruler of the city, Ishaq-bey, in 1438. Throughout history, the mosque has suffered great damage, and has been rebuilt and rebuilt several times. It also included a turbe, a madrasa, an imaret and lodgings; and in it, Ishaq-bey founded one of the first Islamic libraries in Europe.


According to the preserved data, the mosque was built in 1438, only two years after the construction of the Sultan Murat Mosque, and its construction was ordered by the second Ottoman governor of Skopje, Ishak-bey. The inscription at the entrance to the mosque states that it was rebuilt in 1519 by order of Mehmed, grandson of Ishak Bey, with the addition of two side ships. The building suffered severe damage in the fire of 1689, when the multicolored ceramic tiles that adorned the façade and the drum were completely destroyed. The earthquake of 1963 caused great damage, after which the turbe was restored and in 1972 new ceramic tiles with faience decoration were installed.


The building has a modest architecture, although its large entrance gates contain carvings with oriental motifs. The original appearance of the mosque is not known, but it is assumed that it was a domed mosque with a porch with three openings. On the north side of the mosque in its present appearance is a porch with five openings. The middle part of the building is covered with a large dome, and smaller domes are located above the side parts of the porch. The rest of the mosque and the porch are covered with semi-cylindrical arches. The porch is enclosed on all sides by a full wall, and its arches rest on square stone pillars. There are two stairs in the walls on the sides of the porch: the first leads to the minaret, and the second to the roof of the mosque. The interior of the porch is characterized by rich stalactite decoration, and in it there is an external mihrab. The decoration of the middle arch of the porch leaves a special impression from the decoration, of which today only fragmentary remains are preserved. The mosque is built of soft stone, and the presence of stone is noticeable on the portal and window frames. [5] The interior of the mosque is decorated with various reliefs and painted ornaments, and its walls end with a faience decorated wreath and a six-pointed star made of ceramic tiles. The minaret is 30 m high and is located on the right side of the main entrance. It is built of well-worked stone blocks, which are decorated with rich stalactite decoration and decorated parapet tiles.


In the courtyard of the mosque there is a fountain, which compared to the original has preserved the middle part of the stone. There was a cemetery in the area around the building and the tomb, and today numerous tombstones are preserved, which are from the XVI and XIX century and have great historical value for the city.
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Mosque
Murat Pasha




The Murat Pasha Mosque is a mosque in Skopje, located in the central part of the Old Skopje Bazaar. The building is located in the immediate vicinity of Cifte-amam and Suli an and together with these two buildings constitutes the only existing "Islamic troika" on the territory of the bazaar and in Skopje in general. The mosque has the status of protected cultural heritage.


According to the inscription on the marble slab above the entrance door of the mosque, it is explained in Arabic that it was built around 1802 and 1803, after having previously burned in the fire of 1689. Research has been carried out, which confirms that an older building was located at the same place, from the walls of which remains were found. The mosque was last renovated at the end of the 20th century.


Apart from the minaret, the mosque is a relatively new building and belongs to the Ottoman Baroque style using neoclassical Islamic elements. The building has a square shape and is covered with a roof of four waters. In addition to the main entrance there is an entrance located on the north side. The interior of the mosque contains a wooden cassette ceiling, as well as a gallery (mahvil), mihrab and pulpit (minbar), which are considered characteristic elements of Ottoman Baroque architecture.


In the courtyard of the mosque there is a fountain built in 1937. Remains of a cemetery were also found, ie. three tombstones, dating from 1741 and 1790, while the third is difficult to date.
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Mosque
Mustafa Pasha




Mustafa Pasha Mosque on the stretch between Kurshumli an, the church "St. Spas” and the Kale. The mosque was built in 1492, as a legacy of Vizier Mustafa Pasha, in whose honor it was named. Historically, the building included a turbe, a fountain, an imaret and a madrasa, of which today are preserved the tomb of Mustafa Pasha, the sarcophagus of his daughter Umi and the fountain in the courtyard of the mosque, as well as the remains of tombstones and the imaret and the madrasa.


The construction of the mosque is a characteristic representative of the early Constantinople architecture. Its base is square and is covered with a dome, whose diameter is 16.3 m. The dome was built on trumpets which are decorated with Arabic and on the left side of which are motifs painted from the time of the construction of the mosque, while on the right side are newer and without any special artistic value. The building is built of hewn stone and two rows of bricks. The entrance to the mosque is through the porch, which is made of white marble, and in front of it are four marble pillars that are connected by semicircular arches. This whole part is covered with three small domes. The 47 m high minaret is built on the northern part of the mosque and is built of limestone. Inside the mosque is the prayer space, on the southeastern part of which is a mihrab, from which the mourner reads the Qur'an, and to the right of the mihrab is a pulpit (mimber), from which prayers are recited. In the circular area with the Arabs, the names of Muhammad and Allah are written on the east and west, while on the south and north are the names of the caliphs: Abu Bakr, Umar, Uthman and Ali. There is a gallery (mehville) just above the front door.
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Necropolis Brazda
Аrcheological site




The tomb (Necropolis) Brazda is located near the village Brazda, which is in the southwestern foothills of Skopska Crna Gora. To the south-west of the village rises a separate hill Gradishte, 70m high above the surrounding area. The northern and the western slopes are very steep, and on the south and east side the terrain steeply descends downwards. At the northern foot of the hill the rivers Brazda and Gluška (Čučerska) meet. These waters were captivated in roman times and supplied the ancient city Skupi and medieval Skopje with drinking water.


The remains of a fortified early antique settlement (5th-4th century B.C. ) can be found on the southern and western slope of the flattened top of Gradište hill, it is deployed in several terraces, on the surface of 4.5 Ha. It was a time when the most northern Paionian tribe Agrians lived in the region, but the type and nature of the excavated ceramic findings triggered a theory that Gradište was populated by Athenians who explored the rich natural resources of the environment.


At the northern foothill in 1986 a monumental structure was found, which according to researchers represents a tomb of a local royalty. This is confirmed primarily by its size, also by the quality of construction and the processing of the blocks, for which the most qualified architects were engaged.


The tomb is dug deep in solid rock, it has a rectangular room or chamber and an entrance with six steps on the south wall. There is a long access corridor (dromos), which steeply descends the slope of the hill and leads to the entrance. The walls of the chamber are made of nicely shaped travertine stone blocks of different sizes. The estimated weight ranges from 500 to 1500 kg. and it is assumed that


they were carried from the stone quarry in the village of Gorno Svilare which is located 23 km from this location. The blocks are placed on top of each other in horizontal arrays. The front size of each block was relief staged and framed with smooth frame on the edges. Above the entrance of the chamber we can see a horizontal stone-free zone on the north and south wall. A transverse wooden beams which formed the roof of the chamber were inserted there.


The decorative technique is the mark of the Athenian construction from the 5th and the early 4th century BC. These elements clearly differ from the characteristics of the Hellenistic period that came afterwards. The upper mentioned features, crucial for dating of the tomb have also been confirmed by the pottery findings.


The tomb in Brazda had a flat wooden ceiling. Tombs built entirely or partially out of wood are simpler and older than the ones built out of stone and they can be found throughout the 6th – 4th century BC across the vast Euro-Asian space as far the southern influences left a mark.


The tombs of the Macedonian type, from the late 4th and 3rd century BC, with vaulted stone arches, are similar to the Thracian tombs. The tomb from Tetovo was also vaulted, it is very similar to ours and built from travertine blocks in the same way, only much smaller (5,31 x 3, 51 x 1, 85) and with walls with smooth surface. The dating remains open. Judging from the manner of construction, the tomb probably was built in the 4th century BC, but the bronze statue of famous Menada, found in the tomb, confuses. It is made in the late 4th century.


The tomb from Brazda differs from the tombs of the Macedonian type, we can clearly see it the basis : there is no ante chamber and the main chamber is placed transverse to the dromos. The deceased is not laid in the tomb and the embankment on the top didn’t form a mound (tumulus), but it was merged with the environment. Also the stone shields are not known to the Macedonian region. We have analogies in the distant north in the Black Sea area in the royal Scythian tombs in Soloha and in Pazirik in the Altai. The form of this shield is common in Egypt.


The origins of the upper mentioned elements and the paths from which they reached us remain unclear


The fate of the tomb owner also remains vague. According to the situation revealed by excavation we can conclude the following: – After the funeral rituals the chamber door was locked from the outside (with 2 large plates) and the door and the dromos were filled with yellow-brown clay, in which cremated victims were buried occasionally and broken pottery was thrown inside .


It seems that shortly after the funeral, thieves penetrated from the top, broke the door and entered the chamber. Since they didn’t find the deceased here, they dug the whole paved floor. They dug to a depth of 1.2 m below the floor and broke the excavated blocks and threw them aside. That led to the creation of a 2 m high embankment in the chamber above the floor.


The fire that was burning on the both sides of the door damaged the internal doorposts. The destruction was also accelerated by the water (rain water) which penetrated through the hole in the chamber. Several blocks from the top were pushed into the chamber and the two stone shields were among them.


In addition to this conclusion – that the deceased was not resting in the chamber – we can add the fact that not one piece was found from a possible sarcophagus (out of stone) or its base. Similar to many other older tombs, the chamber in Brazda had undoubtedly a commemorative character, while the deceased was buried somewhere beside her.


Source: www.arheoparkbrazda.mk
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Tumba Madzari
Archeological site




Neolithic settelment Tumba Madzari is located in the settlement “Metodija Andonov – Čento” on the “Madžari” street in the Municipality of Gazi Baba. It covers an area of 22,685 m² (2,2685 ha).


The archaeological site today is hardly noticeable, since most of its surface is occupied by houses built in the late sixties and during the seventies of the 20th century. Previously, the mound (tumba) in Madžari dominated the surrounding flat field.


The artefacts from this site are one of the columns of archaeological treasure in the Archaeological Museum of Macedonia, located in the central city area of Skopje.


RESEARCH BACKGROUND OF TUMBA MADŽARI


The settlement has been known in the literature since 1961/2, when archaeological surveys for the construction of the new highway, were performed. The first archaeological excavations of the site were carried out back in 1978 by the Museum of Macedonia, which confirmed the existence of the Neolithic settlement within the Anzabegovo-Vršnik Cultural Group. Voislav Sanev, archaeologist from the Museum of Macedonia – Skopje, was the head of the first and most extensive excavations carried out from 1978 to 2000.


Archaeological excavations in 2002 continue as a part of the international project between the CNRS from Paris, France, under the leadership of Catherine Commenge, PhD, the Museum of Macedonia under the leadership of Dragiša Zdravkovski, PhD and in cooperation with the Institute of Art History and Archaeology in the Faculty of Philosophy- Skopje. From 2003 to 2005, the French team worked independently. Within the framework of the international project, along with the archaeological excavations, petrographic, geological, paleobotanical, archaeological analyses, as well as time determination of the site, were also made.


The Museum of Macedonia in 2004 continued the excavations under the leadership of Dragiša Zdravkovski, PhD. From 2008 to 2013, archaeological excavations continued under the leadership of Elena Stojanova-Kanzurova, MA.


CHRONOLOGICAL AND CULTURAL CHARACTER OF TUMBA MADŽARI


Tumba Madžari is one of the longest researched archaeological sites from the Middle Neolithic in Macedonia and is chronologically connected to the VI millennium BC.


The oldest cultural layer of Tumba Madžari chronologically corresponds to the Anzabegovo-Vršnik phase I, i.e. from the end of the Early Neolithic period. The second and the third cultural layer corresponds to the Anzabegovo-Vršnik II and III phase, which are synchronous with the Middle Neolithic.


Most of the archaeological material is from the layer of the Middle Neolithic phase, i.e. the Anzabegovo-Vršnik II and III phases. During that period, the settlement experienced its greatest economic and cultural development. The end of the life in the settlement is at final phase Anzabegovo-Vršnik III, at the beginning of the Late Neolithic, recorded by a small numbers of artefacts. A Late Neolithic stratum was not detected for the time being. It might indicate that the settlement was devastated in the 20th century, or abandoned in the prehistoric period.


ARCHITECTURE OF TUMBA MADŽARI


Tumba Madžari is one of the few Neolithic sites in Macedonia that provides a more detailed picture of the architecture, its internal and external organization, as well as the household inventory.


So far, nine closed units – houses have been determined, belonging to III and II cultural horizons, as well as several partially explored houses, which gave a more detailed picture of the architecture. The basic architecture in Tumba Madžari has a residential character, but its sacral and commercial character is also confirmed. The houses are built in the spirit of the traditions of agricultural communities, i.e. using a construction material of wood, clay, earth, reed and straw. The base of the houses is usually rectangular and square, with the exception of two houses, the base of which is reminiscent of the Cyrillic letter “Г”. The dimensions of the houses are from 4.50 x 6 m to 9 x 9 m.


Ceramic altars – models, featuring a house with an “A-frame” roof, are closest to the image of the roof look of the Neolithic houses.


During the archaeological excavations in Tumba Madžari, a sanctuary of public character has not been found so far, which doesn’t mean that it didn’t exist. Archaeological finds, such as sculptural zoomorphic representations and the large anthropomorphic head with cult features, point to the possibility of the existence of such a sanctuary. The large number of ceramic anthropomorphic and zoomorphic altars i.e. and other cult objects, much more point to the existence of a certain sacred space within each household.


CERAMIC PRODUCTION IN TUMBA MADŽARI


Tumba Madžari can undoubtedly be included in the rare Neolithic centres of Macedonia where luxurious ceramics, recognizable for the Upper Vardar Region and the larger area, were created and produced.


The excavations revealed ceramic vessels with various shapes, dimensions and quality of processing. Their surface is often filled with ornaments performed with engraving and embossing techniques. By its form they are usually pots, large-sized pithoi, wide-open cone plates, bowls, cups and other types of dishes, as part of the household inventory for preparing food, its storage, and transport.


Special ceramic vessels, known as “askoi”, have specific aesthetic forms which are a characteristic ceramic product in the Middle Neolithic for this archaeological site.


Tumba Madžari is distinctive, especially through elegant bell-shaped goblets and amphorae with specific,“gourd” forms, made of purified clay and baked at high temperature. Special iconography on the amphora surface is the one with organized fields filled with hatched shapes – leafs, which, in archaeological science, is better known as the “vegetable-floral” style of the Anzabegovo-Vršnik cultural group.


The idea of a spiritual and material culture of the Neolithic population inTumba Madžari, is complemented by unusually interesting ceramic finds with anthropomorphic and zoomorphic representations, so-called “T-amulets” or “bucrania”, items that resemble tables arranged on four or three legs and other ceramic finds.


THE “GREAT MOTHER” (MAGNA MATER) CULT


Social relations in the Neolithic communities, especially within families, were shaped by the interests of community survival and prosperity, awarding the woman a special social status. She was a powerful inspiration to the Neolithic sculptor who wanted to immortalize her spirit, especially her body, by using natural materials (clay, stone, animal bones) in order to express and emphasize basic physical features and gender elements. The role of the woman as a mother was linked with the cult of fertility, i.e. the so-called cult of the “Great Mother” (Magna Mater) Goddess, exemplified by the ceramic representations on sacrificial altars of both cultural groups on the territory of Macedonia. The representation of a woman was dominant in the artistic repertoire of this type of sacrificial altar of the Anzabegovo-Vršnik cultural group. On the other hand, the representation of a house, which was a symbol of the family as a foundation of the social and economic life, was dominant in the Velušina-Porodin cultural group. The iconography of this cult, with a symbiosis of the female body and the house, was unique in its original artistic expression that distinguishes the Macedonian Neolithic from other Neolithic cultures.


The famous ceramic sculpture of the Great Mother, which was discovered as a whole for the first time among the Neolithic settlements in Macedonia, is what makes Tumba Madzari uniquely identifiable in the Great Mother tradition. It is a specific archaeological mark of the site. This impressive form of an altar with a cult purpose was discovered during the excavations of the first house in Tumba Madzari 1981. A similar whole ceramic sculpture was also discovered in house 5 back in 1987. Larger or smaller fragments of such an altar were found in the other houses in Tumba Madzari. According to the first Tumba Madzari researcher, and later confirmed by other researchers, the impression is that the possession of these altars was the desire and obligation of every family. The altar was probably ordered during the building of the house. Their entry into the new building could be interpreted as its “sanctification”.


ANTROPOMORPHIC SCULPTURES


Anthropomorphic sculptures are numerous in the Neolithic settlement of Tumba Madzari. The number of excavated female figurines is much higher in comparison with male figurines. They are usually made of clay, but there are also examples made of stone or animal bone. It does not exclude the possibility that some of them may have been made of wood. In the modelling of the human body, the Neolithic master showed great skill and emphasized the physical attributes of fertility.


STOCKBREEDING IN TUMBA MADŽARI


Animals have alway been a part of people’s lives. Looking back in time, people hunted animals, tamed them, used them as a source of food, raw material and labour, or they were raised as pets. Some of the animals were respected as deities or as symbols of their communities within the fertile cults, materialized through painted and sculptural forms.


The results of the analyzed archaeological material from the Tumba Madžari do not bounce back from the tendency of the Middle Neolithic sites in Macedonia: in relation to the structure of stockbreeding and representation of hunting as an important source of food and raw materials. The animal’s hunting is still present, but in a smaller proportion compared to the presence of the already reared animals. Most often hunted animals are aurochs (wild cattle), deer and wild boar and rarely, doe, rabbit, wolf… In the archaeological material of Tumba Madžari, individual specimens of birds, fish and shells were recorded. Regarding the very structure of stockbreeding, sheep and goat remain dominant animals, followed by cattle, pig and dog.


ARCHAEOBOTANY IN TUMBA MADŽARI


The knowledge obtained from the modest archaeobotanic seeds and fruits analysed from Tumba Madžari are comparable to the findings of other Neolithic settlements. There are more data of emmer (Triticum dicoccum). Barley grains were also detected (Hordeum vulgare var nudum), pea’s beans (Pisum sativum), walnut residues, various weed sand some Lathirus seeds. Noteworthy is the “cache“ of pulse seeds (Vicia sp.) or “graorica“ (folk term), found in a child burial outside a Neolithic house in Tumba Madžari. Vicia seeds have great economic significance, mainly as fodder for livestock, but they can also be utilised by humans for medical purposes.


Source: www.tumbamadzari.mk
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SKOPJE
Capital of the Republic of
North Macedonia




Skopje is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic center.


The territory of Skopje has been inhabited since at least 4000 BC; remains of Neolithic settlements have been found within the old Kale Fortress that overlooks the modern city centre. Originally a Paeonian city, Scupi became the capital of Dardania in the second century BC.
On the eve of the 1st century AD, the settlement was seized by the Romans and became a military camp.
When the Roman Empire was divided into eastern and western halves in 395 AD, Scupi came under Byzantine rule from Constantinople. During much of the early medieval period, the town was contested between the Byzantines and the Bulgarian Empire, whose capital it was between 972 and 992.
From 1282, the town was part of the Serbian Empire and acted as its capital city from 1346 to 1371.
In 1392, Skopje was conquered by the Ottoman Turks who called it Üsküb, with this name also being in use in English for a time. The town stayed under Ottoman control for over 500 years, serving as the capital of pashasanjak of Üsküp and later the Vilayet of Kosovo. At that time the city was famous for its oriental architecture.
In 1912, it was annexed by the Kingdom of Serbia during the Balkan Wars.
During the First World War the city was seized by the Kingdom of Bulgaria, and after this war, it became part of the newly formed Kingdom of Yugoslavia becoming the capital of the Vardarska banovina.
In the Second World War the city was again captured by Bulgaria
In 1944 became the capital of SR Macedonia, then a federated state of Yugoslavia. The city developed rapidly, but this trend was interrupted in 1963 when it was hit by a disastrous earthquake.



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"MACEDONIA FROM ABOVE - 360° Virtual Guide"
PRIVATE PROJECT



The Project was started in 2017,
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The main goals of the project are:
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The Government of RSM, its Ministries and institutions, such as:
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"MACEDONIA FROM ABOVE - 360° Virtual Guide"
PRIVATE PROJECT



The Project was started in 2017,
Registrated at the Macedonian Copyright Agency in 2018,
Website was officially opened in May 2019.



The main goals of the project are:
Promotion of tourist sites for better acquaintance with domestic and foreign tourists
Educational - for primary and secondary school students - for the subjects Geography, History, Society, Religions, Art - to be able to see realistically what cities, villages, gorges, lakes, rivers, museums, archeological sites, memorial centers and much more look like - because - in Covid situation - they can not walk.
The Ministry of Education and Science has already given an opinion that the website CAN be used in primary and secondary schools.


On this site you can "walk" virtually through many locations, which are divided into topics:
- settlements - cities, villages, ski resorts, picnic places
- nature - rivers, gorges, lakes, mountains
- history - museums, archeological sites, memorial centers, monuments and others (such as Kokino, Kuklici, Cocev Kamen ...)
- religious buildings - churches, monasteries, mosques
- art galleries and exhibitions
- tests - on how much you know about the monuments in Skopje and another one in the field of geography - cities, villages, lakes and gorges.
All locations are processed with 360° panoramas - from the air and from the ground, which are interconnected, with much additional text information, photos, videos and 360 ° videos ... in 2 languages: Macedonian and English (for now).
It currently has more than 2,000 panoramas.
The site is also ready for "virtual tours with a live guide".
90% of the materials posted on the site are with our own financial support.


The Government of RSM, its Ministries and institutions, such as:
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• and other public institutions
so far they have not helped this Project with anything, on the contrary, they are trying to sabotage it.


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"MACEDONIA FROM ABOVE - 360° Virtual Guide"
PRIVATE PROJECT



The Project was started in 2017,
Registrated at the Macedonian Copyright Agency in 2018,
Website https://macedoniafromabove.mk was officially opened in May 2019.



The main goals of the project are:
Promotion of tourist sites for better acquaintance with domestic and foreign tourists
Educational - for primary and secondary school students - for the subjects Geography, History, Society, Religions, Art - to be able to see realistically what cities, villages, gorges, lakes, rivers, museums, archeological sites, memorial centers and much more look like - because - in Covid situation - they can not walk.
The Ministry of Education and Science has already given an opinion that the website CAN be used in primary and secondary schools.


On this site you can "walk" virtually through many locations, which are divided into topics:
settlements - cities, villages, ski resorts, picnic places
nature - rivers, gorges, lakes, mountains
history - museums, archeological sites, memorial centers, monuments and others (such as Kokino, Kuklici, Cocev Kamen ...)
religious buildings - churches, monasteries, mosques
art galleries and exhibitions
tests - on how much you know about the monuments in Skopje and another one in the field of geography - cities, villages, lakes and gorges.
All locations are processed with 360° panoramas - from the air and from the ground, which are interconnected, with much additional text information, photos, videos and 360 ° videos ... in 2 languages: Macedonian and English (for now).
It currently has more than 2,000 panoramas from 100+ locations
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The Government of RSM, its Ministries and institutions, such as:
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HTMLText_982855B7_DA05_3DB5_41E2_BD2B3B48E2EA_mobile.html =
"MACEDONIA FROM ABOVE - 360° Virtual Guide"
PRIVATE PROJECT



The Project was started in 2017,
Registrated at the Macedonian Copyright Agency in 2018,
Website https://macedoniafromabove.mk was officially opened in May 2019.



The main goals of the project are:
• Promotion of tourist sites for better acquaintance with domestic and foreign tourists
• Educational - for primary and secondary school students - for the subjects Geography, History, Society, Religions, Art - to be able to see realistically what cities, villages, gorges, lakes, rivers, museums, archeological sites, memorial centers and much more look like - because - in Covid situation - they can not walk.
The Ministry of Education and Science has already given an opinion that the website CAN be used in primary and secondary schools.


On this site you can "walk" virtually through many locations, which are divided into topics:
- settlements - cities, villages, ski resorts, picnic places
- nature - rivers, gorges, lakes, mountains
- history - museums, archeological sites, memorial centers, monuments and others (such as Kokino, Kuklici, Cocev Kamen ...)
- religious buildings - churches, monasteries, mosques
- art galleries and exhibitions
- tests - on how much you know about the monuments in Skopje and another one in the field of geography - cities, villages, lakes and gorges.
All locations are processed with 360° panoramas - from the air and from the ground, which are interconnected, with much additional text information, photos, videos and 360 ° videos ... in 2 languages: Macedonian and English (for now).
It currently has more than 2,000 panoramas.
The site is also ready for "virtual tours with a live guide".
90% of the materials posted on the site are with our own financial support.


The Government of RSM, its Ministries and institutions, such as:
• Ministry of Economy,
• Ministry of Culture,
• Ministry of Education,
• Tourism Agency
• Innovation Fund,
• municipalities
• and other public institutions
so far they have not helped this Project with anything, on the contrary, they are trying to sabotage it.


If you want to help this MACEDONIA PROMOTION Project, you can DONATE by clicking the button below.


Author: Bojan Trenchevski
Phone: +389 70 338747
E-mail: info@macedoniafromabove.mk
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Company Name
www.loremipsum.com
info@loremipsum.com
Tlf.: +11 111 111 111
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AQUEDUCT
Arheological Site
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